Tag: Middle Aged Gigging

Middle Age Gigging: The Bluetones at Academy 2 in Manchester.

Saturday was a busy night for the Britpop revival in Manchester. Fresh from the success of recent Oasis support slots, Richard Ashcroft was crooning out his anthems at Co-Op Live. And meanwhile, far more refreshingly for us, The Bluetones were treating us to their indie pop joy at the Academy on the other side of town without a bucket hat in sight.

As ever the ‘Tones were on fine form and there was much to please a lively crowd.

First up though were The Supernaturals and a bit of a pleasant surprise for yours truly. I wasn’t a fan first time around and their hit ‘Smile’ left me doing anything but. Tonight though, I’m proved wrong – don’t worry, it’s a regular occurrence – as their set is excellent showing that the band have a depth that I’d never been aware of back in the day. The Manchester crowd are a little quiet to begin with, but it’s not long before we’re all enjoying ourselves. The set features stuff like the more upbeat ‘Smile’ and ‘The Day Before Yesterday’s Man’ but there’s also the more reflective ‘Don’t Let The Past Catch Up With You’. The highlight for me is the excellent ‘I Wasn’t Built To Get Up’ and all in all, The Supernaturals have definitely turned my head.

After a short break, our heroes The Bluetones emerge to a rapturous welcome. This tour comes on the back of some new releases, the most recent being the ‘London Weekend Television’ EP and there’s a healthy smattering of new stuff in amongst some well known classics, as well as one or two lesser known tracks. So, with a crowd made up of both Bluetones nerds like myself and my wife and folk out for a night of Bitpop nostalgia, frontman Mark makes a quick mock apology for the songs that some people won’t recognise.

But there’s nothing to apologise for as we kick off in well known territory with ‘Bluetonic’ and everybody’s singing along. It’s followed by the brilliant ‘New Athens’ and ‘Solomon Bites The Worm’ ensuring that it’s been a whirlwind start to proceedings. Last year’s single ‘Drive Thru’ – a bit of a personal favourite – follows before there’s a change of pace with ‘Keep The Home Fires Burning’. All killer so far, no matter what Mr. Morriss might be joking about!

In between songs, as ever, Mark is a master at working the crowd. Tonight, we’re jokingly told off for singing along with a stern ‘No!’, get the tale of how The Bluetones featured on both Bargain Hunt of all places and Sunday Brunch and hear of a time when Mark saw Duran Duran in America and their new songs turned what had been the best night of his life into the stuff of nightmares. There’s even an in gig band meeting when Mark tries to tell us about songs that are instantly known for their first chord strike while Adam insists on playing riffs. He was only talking about the first strike, mate!

Tonight, the new songs are well received and more than hold their own alongside the old hits that the ‘Tones are probably much more well known for among tonight’s crowd. Consequently, ‘The Aristocrats’, ‘Cheap Hotel’ and Madeline blend in seamlessly alongside ‘Cut Some Rug’ and ‘Slight Return’ because the truth is that these lads have never lost the knack of writing a cracking tune. In fact, for me ‘The Aristocrats’ is one of the stand out songs tonight.

The set closes with the brilliant ‘Never Going Nowhere’, which is followed by some good natured and Bluetones approved booing – props to Jimmy for the sign – because we’re all complicit in the lie here; of course they’re coming back for a couple more! I do have a tiny complaint to make here though and perhaps a reason for a small boo. There was no medley at the end of the song…no Eurythmics, no Van Halen and none of the other little surprises which have been blended into the set closer. I’ll let it go this once though…

And so, having also been booed back onstage, the boys are back to finish with the aforementioned ‘London Weekend Television’ an impromptu version of ‘My Way’ and then the sure-fire crowd pleaser that is ‘If…’. Once again, The Bluetones have been outstanding and given us yet another night to remember. Here’s to a new album soon and many many more nights like tonight. Cheers, lads!

Middle Aged Gigging: Stereophonics at John Smith’s Stadium in Huddersfield.

A funny one this gig. Beforehand, I was slightly reticent about going and not for the usual reason of being middled aged and living life in an almost permanent state of tiredness. No, this was different. This was a stadium gig and I really couldn’t remember the last time I’d been to a gig in a stadium. In fact, if anything I’ve been going to gigs in smaller and smaller venues of late. I needn’t have worried so much though, as first Blossoms and then headliners Stereophonics served up a cracking night that may well have taken the roof off the place if it actually had one!

The first time I saw Stereophonics live was around 1996, before their first album came out in what was a glorified pub in Hanley, Stoke-on Trent and it still amazes me to see what they’ve become. Don’t get me wrong; they’ve always had the songs and talent to deserve to be selling out stadiums, but it’s a hell of a leap from those early days!

Tonight, we arrive (fashionably) later than planned and after a mix up over stage times, realise that we’ve missed the first support act. In fact, we’re still trying to get into the stadium as the night’s other support, Blossoms, take to the stage. So, while I’m a big fan of their song ‘Your Girlfriend’ it’s difficult to enjoy it while your being squeezed through a small gap to get into a stadium and then precariously edging down some stairs towards the pitch. Tricky to sing along to when you’re trying not to take an almighty tumble!

Blossoms look and sound great though. Singer Tom looks amazing in flared jeans, striped shirt a loose tie and there’s more than a little bit of Mick Jagger about him. Tonight, he also brings to mind Faces era Rod Stewart and even a little bit of Prince at times, which is surely no bad thing?

Their set is superb and songs like ‘Gary’, ‘I Like Your Look’ and ‘Charlemaine’ have the whole stadium grooving along. It’s a great start to our night and the perfect set up for the main event.

After a quick set change Stereophonics amble on to the stage to a great welcome. There’s the odd wave from the band, but it’s a pretty low key entrance. And before we know it we’re into opener ‘Vegas Two Times’ and it feels like the whole place is up and moving. It’s a great track to open with.

This being a ‘Stadium Anthems’ tour there’s plenty to enjoy. Lots of singalong anthems and lots to make even the most curmudgeonly and dancephobic music fan (that’s not me, by the way) shuffle their feet. And singer Kelly Jones looks the epitome of cool in shades, black jeans and a black leather jacket. Oh, to be a rock god!

Stereophonics prove themselves to be as tight as it gets and this is just a brilliant rock and roll show. The visual production – in the form of screens – is pretty good; videos accompanying some of the songs and the odd bit of pyrotechnics as well as some massive pink balloons sent out into the crowd later on in the set as night falls. However, it’s the music that counts here; a stand alone reason to come and see the band.

Singer Kelly Jones has always been renowned for his incredible voice and it doesn’t let him down tonight as he’s absolutely note perfect throughout. My fears about a stadium show are quickly allayed as Stereophonics fill the place with a great big dollop of good old rock and roll. There are the usual irritations about this kind of show – people barging through to get closer to the stage when ‘their song’ comes on, people chatting – but none of it manages to get in the way of this being an excellent gig. Stereophonics do indulge in the odd bit of rock posturing, the odd pose here, a showbiz point or wink there, but then maybe they’ve earned the right to call on the odd cliche having sold over 15m records! It certainly doesn’t spoil anything for me, anyway.

There’s barely a dull moment tonight. As I mentioned earlier, it’s a set of stadium anthems so you’d have to be a fairly miserable fan of the band to not be enjoying what’s on offer. For me though the standout tracks are ‘Geronimo’ complete with it’s enormous saxophone (a baritone sax, I think?), ‘I Wouldn’t Believe Your Radio’ with Kelly on ukelele, ‘Mr and Mrs Smith’ and ‘Mr. Writer’.

As we edge towards a close – and my knees and feet begin to grumble – we’re treated to the ever brilliant ‘Local Boy in The Photograph’ and ‘C’est La Vie’ before an encore comprising of blistering versions of ‘The Bartender and The Thief’ and ‘Dakota’. Stadium anthems indeed!

As they exit stage left, Stereophonics leave behind a very happy bunch of Yorkshire punters. It’s been a brilliant night and a gig and band well worth coming out for. Makes me think that I shouldn’t leave it as long between shows next time!

Middle Age Gigging: The Bluetones at The Crescent in York.

Easter always confuses me. I mean, I get the eggs and the chocolate and stuff, don’t get me wrong. The bunny, I’m not entirely sure of, but it’s the whole Jesus bit that plays havoc with my brain. I’ll be honest, I’m never sure what happened and when. He died and then came back again and I’m imagining died again a bit later. Thankfully, my confusion is allayed this Easter Sunday as I’m off to York to watch The Bluetones and while my knees will probably die midway through the set, I’m sure they’ll be back again by Tuesday…ish.

Balter (thanks people of Bluetones Fans on FB!) are tonight’s support act. They remind me a bit of Vampire Weekend yet wear the jeans of a weekend spent at Spike Island, which it turns out is still a winning combination. The only snag is that they all look like they should be in Year 10 at high school, which instantly makes me feel even older than I am. And I’ll be honest at times that gets in the way for me. As the singer struggles with everything from his pick to his guitar strap I just want to put an arm around him and tell him it’s fine, but he clearly doesn’t need my ‘fatherly’ act and carries on manfully.

One of the last things I was expecting from them was a cover of Twist and Shout. Probably the actual last thing would have been that I enjoyed it…yet, here we are. As with everything they play tonight, it’s just superb. All in all Balter give us an energetic set tonight, full of lovely melodies, bits of Carlos Santana style guitar, sunglasses and engaging songs that are all well received by a room full of people who’ve probably never heard them before. If there’s any justice they’ll go very far indeed.

The Bluetones never fail to make me smile. They never have and tonight is no exception. From the moment they stroll on stage there’s no doubting that this will be yet another fantastic night.

With more new music to promote in the shape of the recently released ‘In the Cut’ EP, this turns out to be a bit of a different set. And it’s nice to greet certain songs like long lost friends, while struggling to remember the words to certain others. But this isn’t really in my skillset anyway and so I’m at times reduced to just dancing, slightly open mouthed and attempting to form the odd word or noise, all the while having a whale of a time regardless!

Beginning the night with ‘Are You Blue or Are You Blind’ followed by ‘Bluetonic’ is akin to having the winning lottery numbers though and so we’re off to a cracking start. ‘A New Athens’ is next and for me is one of the highlights of the set. Then it’s ‘You’re No Fun Anymore’ before Mark almost apologetically – and not without the trademark wit – introduces new track ‘Cheap Hotel’, which sounds great.

Chats with Mark Morris should be prescribed on the NHS, such is his effect on an audience. And he’s in great form tonight taking us on trips that touch on Bargain Hunt and daytime TV, the merits of York, 99p shops and his various experiences in ‘showbiz’, all with a heavy dose of sarcasm and self deprecation and all accompanied by an audience who are only too happy to play along. That said – and it’s a bit of a pet peeve for me – there are those tonight who seem to want to just chat loudly all the way through the set and are calling out stuff like ‘move on’ while the singer has a bit of a ramble. I’m no ‘serious muso’ type, but I’ve always loved music and it’s a genuine thrill for me to see my heroes any time I can, regardless of the fact that I’m far, far from the wide eyed teenager I was once. So, chatty people, f you could kindly fuck off when it comes to any future gigs, that’d be much appreciated, I’m sure by more than just me…

The hits, as they say, just keep on coming though and after a blistering ‘Fast Boy’ we’re treated to ‘Marblehead Johnson’, ‘Billy Balfour (which I swear gets better with every listen) and the wonderful ‘Carnt Be Trusted’ before the aforementioned ‘In The Cut’ makes an appearance and reminds York that these lads have still got the gift for writing fantastic indie pop.

Songs like ‘Cut Some Rug’ and ‘Keep The Home Fires Burning’ feel to me like getting a big cuddle, such is their familiarity, so when ‘The Fountainhead’ comes along it’s like the rare and only kind of group hug that I could tolerate, if that makes any sense.

By now, various joints are telling me that the set is nearing a close, but the sound of ‘Slight Return’ is a shot in the arm and stifles my yawns somewhat. In my defence, I’d taken part in a hotly competitive egg hunt just hours before and I’m no longer of an age when I can easily manage two big events in one day!

The set closes with ‘The Last Song But One’ which I don’t think I’ve ever heard live before followed by the brilliant ‘Putting Out Fires’ but of course we know that it’s not quite over yet.

There’s an encore of new song ‘London Weekend Television’, which feels quite punky and sounds pretty incredible, I must say. Then, given it’s Easter Sunday, we’re treated to a rendition of ‘I was a Teenage Jesus’ which is a real thrill, even if I fail to remember whole swathes of the song apart from the chorus and the line about the ‘coolest sandals’. As I say, I’ve never had much of a memory for lyrics, but it doesn’t spoil the treat!

We end tonight, as is the tradition, with the glorious ‘If’ and although it’s been stripped down and doesn’t include any snippets of The Eurythmics ‘Obsession’, ‘Jump’ by Van Halen or any of the other spontaneous silliness, it doesn’t matter. Tonight has been another triumph for The Bluetones and I’ll take that every day of the week…and even Easter Sunday.

Middle Aged Gigging: Ellur at The Square Chapel, Halifax.

It’s not often I get out to see a new artists anymore. I’ll sometimes watch someone new supporting one of my favourites, but the days of getting out and watching new bands and unproven talent have long gone, I’m afraid. Tonight is slightly different though. This is actually my third time of seeing Ellur live, but while on the other two occasions she’s performed with a band, tonight it’s just Ellur, a guitar, a couple of plants and around 150 people in the audience. So, no pressure then!

Pressure or not though, when you’re being compared to Joni Mitchell and Sam Fender in the same night, you really must be doing something right. And believe me, Ellur is definitely doing a lot of things right. I hear both of these comparisons from people around the place tonight though and in truth I can’t help but agree. Ellur really is one to watch.

Tonight, as stripped back as this gig is, Ellur truly thrives. Right from the off, she’s got the audience eating out of the palm of her hand, asking us if anyone here is actually from Halifax and then, when she finds out that no one is, she tells us it’s ok, as ‘it would be a bit shit without you’! There’s a presence and charisma that belies her years but then of course, the key ingredient is that she also has the songs to back it all up.

Tonight is just a short set, but it’s still superb and while the comparisons I mentioned are completely valid, for me there’s also something a bit reminiscent of Suzanne Vega about Ellur in this performance. She’s got a fantastic voice and songs like ‘Yellow Light’ and ‘Your Dog’ absolutely soar with the latter being introduced as ‘a song about this guy I was dating who was an arsehole’. I mean, it’s fair to say there’s a few of them about! A bit later, there’s also a brilliant sing along during ‘Thank God You Tried’ where we all get to feel like part of the act!

However, tonight it’s powerful closer ‘God Help Me Now’ that really showcases Ellur’s talent. There’s a wonderful subtlety that’s coupled with moments of sheer power in her voice here that you can’t help but be hooked by and the song itself is just superb. And then, having enthralled us all for far too short a time, she gives a couple of curtseys and is off.

As small as this gig has been, it feels like we’ve all been in on a bit of a moment. Apart from anything else, to put yourself out there with no one else and just a guitar for support is perhaps as brave as it gets for a performer. And yet tonight, Ellur absolutely smashes it.

With an E.P. out soon and then a debut album next year, Ellur could and should really take off and if there’s even a small shred of justice in the world Ellur’s star will be allowed to shine brightly in the coming year. What a privilege to see such a genuine talent up close! If you get a chance in the new year or indeed any time in the future, get out and see her perform, with or without the band. You can thank me later.

Middle Aged Gigging – Embrace at the Victoria Theatre, Halifax.

First there was a blanket of snow. Then there was torrential rain, followed by strong winds and in short, Yorkshire got battered by the weather. But it was Embrace that nearly took the roof off the theatre tonight.

As part of their tour for the 20th anniversary of the album ‘Out of Nothing’, tonight the band play the Victoria Theatre in Halifax. As local lads, it’s a bit of a homecoming kind of gig and as such, it was always going to be special and judging by the amount of smiling faces around me, the boys did the trick.

First up tonight are Fever, an indie rock band from Hull. The first thing that strikes me about Fever is that they are yet another in a now long line of support bands who make me feel very, very old! At least two of them look like they might need to spend tomorrow finishing off some GCSE coursework, but if that were true I’d say to sack the exams off, because Fever are excellent. There’s a hint of the Arctic Monkeys about Fever’s sound and while that may sound lazy, it’s certainly not an insult. Singer James has a real presence and a great voice and at times he reminds me ever so slightly of a young Ian Brown. But what makes Fever such a good watch tonight is most definitely the songs with tunes like ‘Why Can’t You hear Me?’ and ‘Gold Intentions’ making them a band that you should definitely seek out.

What we’ve all braved the rain and the snow for though, is Embrace and so as ‘What A Wonderful World’ is brought to an abrupt end and the lights are dimmed, there’s a tangible excitement in the room, which is quite the effort at our age!

We’re thrown straight in at the deep end with the classic ‘All You Good Good People’ and the whole room are on side and singing along. The band sound incredible and when they follow it with ‘Come Back to What You Know’ the atmosphere ramps up another notch.

‘Out of Nothing’ is the record being celebrated tonight though and so we’re given a run of songs from the album with ‘Looking As You Are’ being dedicated to Danny’s 5-year-old daughter Kate. ‘Keeping’ is the stand out track in this section for me though and as we break the run for a brilliant rendition of ‘Nature’s Law’ it feels like everyone is having an amazing night.

A special mention has to go to ‘A Glorious Day’ here though. I never thought I’d be the kind of bloke to turn on his camera light and sway at a gig, yet Danny McNamara asks and here we are! It looks and sounds amazing!

Half way through the set and it’s difficult to see how things could get better, but we’re then treated to and incredible ‘Out of Nothing’ which feels more and more like some kind of religious experience every time I hear it live. Rick – and his broken nail – takes the mic for a blistering ‘Refugees’ before the band are joined by Nicole from Eevah for ‘Never’. What a song and what a voice she has, by the way!

‘Gravity’ then does its usual job on me! As the first song at our wedding – and I’m guessing it’s the same for a few others in the room – it’s special anyway, but as someone who’s had heart trouble these past few years, ‘Can you hear my heart beating?’ is a gut punch like no other, albeit it a kind of friendly one. I cling to Mrs C and sing along, all the while trying not to cry in front of Danny…again!

Over the years, as I’ve gotten older, I’ve began to dread Danny McNamara announcing ‘Ashes’ by asking us if we’ll be jumping up and down. I’m 52 and had a pacemaker fitted two years ago, Danny. My knees are shot and my back aches on a near permanent basis these days. Jumping up and down gives me the fear! However, as the song kicks in and he follows it with the familiar refrain of ‘Up, up, up up!’ I’ve got an arm in the air and I appear to be doing exactly as he says and in turn facing that fear! What a song! It’s an incredible few minutes, albeit something that I’ll no doubt regret as I attempt to roll out of bed in the morning. I check my heart rate as the song ends – a familiar action these days! It’s 98 and not too bad, but still, I’m chuffed to bits when the security bloke offers me some water!

Thankfully, I get a break as Embrace leave the stage to rapturous cheers. And that’s what this feeling is when we see them; rapture. We smile, we forget everything else, we dance, we just about jump up and down and we’re able to lose ourselves for a couple of wonderful hours.

But obviously, it’s not over yet!

After a brilliant ‘Protection’ Danny gets us dancing for ‘We Are It’ and I wonder if me or Mrs C will ever be the ones who get pointed to. If you know, you know, as they say! Having been treated to ‘No Use Crying’ in Manchester last week, it still feels kind of exciting to hear it again live in the encore.

A powerful ‘Near Life’ allows us time to breathe a little before everyone in the place adds their ‘la, la, las’ to an incredible version of ‘The Good Will Out’ and I swear there’s enough power in those smiles to light up the room.

I’ve been watching Embrace play live for almost 30 years now and it’s always a beautiful feeling. I never want that to end. Tonight was another gig to file under ‘incredible’. Thanks lads; let’s do it all again soon!

Middle Aged Gigging: The Bluetones at the Brudenell Social Club in Leeds.

I’ve lived in Leeds now for well over 25 years and seen a lot of gigs in that time too. However, strangely, I’ve never been to the Brudenell which makes me feel a little bit sheepish about tonight’s gig. Almost like I’ve been cheating a bit in the way I’ve seen my local gigs!

Mixed in with that sheepishness though, there’s the usual excitement at seeing The Bluetones, so it’s all good as they say.

The Brudenell is literally just a big, traditional working men’s club, but over the years it’s gained a reputation as a fantastic venue hosting all manner of brilliant music, so naturally I’m looking forward to our visit. And I’m not disappointed because the atmosphere in the place is just great and we’re treated to a superb night.

Support tonight is provided by local Leeds band, The Loose Cut and it’s safe to say that they’re excited to be here too. I’ve seen them supporting The Bluetones before and they were good then, but tonight there’s definitely an extra edge to their set. Their sound lies somewhere on the heavier end of indie pop and there are loads of good tunes here tonight, starting with opener ‘Last All Night’ and carrying on through the set with the singalong of ‘Round and Around’ and the highlight of ‘Resist’.

The Loose Cut are really loud too. We’re right next to the stage and as well as the usual throbbing of the bass going through my body, I can even feel my jeans shivering. Definitely a band to check out, but maybe take a step back if you’re my age!

Ultimately though, we’re here to see The Bluetones, a band I’ve seen loads times before over the years. And that amount of gigs really matters as I know that I’m pretty much guaranteed a brilliant night full of great songs and a bit of in between songs entertainment as provided by lead singer and all round top fella, Mark Morriss. There will always be something slightly different with this brilliant band.

Tonight, the main difference is that the band have recently released their first new music in 14 years. It’ll be the first time I’ve heard it live and I’m interested to hear how it’ll sound even though I bought the EP when it came out last month. The band are usually pretty tight though and so I don’t think I’m in for any nasty surprises here.

The other difference comes with the lads’ on stage attire. Over the years, The Bluetones have worn tuxedos, dressed as scientists and done the encore in pyjamas and dressing gowns as well as various other looks. And tonight is no different…although actually different, if you know what I mean! Tonight the lads take to the stage in a combination of t-shirts from their own merch, jeans, white Converse and wait for it…blue sweatbands, which I have to say is an excellent touch. I mean, it’s hot under those lights and there’s none of us getting any younger!

Old favourites ‘Bluetonic’ and ‘Cut Some Rug’ start things off in brilliant fashion, with the already ‘on side’ packed house signing along in unison. It feels clear that the band are up for this and so are we.

The pace continues with ‘Fast Boy’ and the excellent ‘Down By The Reservoir’ before the band show some sympathy for the many middle aged limbs in the audience by playing a trio of slower songs in ‘Keep The Home Fires Burning’, ‘4 Day Weekend’ – in honour of Jesus, apparently – and then ‘Sleazy Bed Track’. Mark gives us a jokey dressing down during this section for not buying these singles when they were out. I resist the urge to tell him that I did, in fact buy them, for fear of looking like a bit of a tw*t though. I mean, you don’t want to look like that in front of your favourites, do you? I did buy them though…

Then, it’s time for us to be treated to our first live taste of new material as ‘Drive Thru’ makes an appearance. And it is a proper treat. Like anyone who’s waited 14 years to hear new songs, there’s the fear that the band might just not have it anymore. But we shouldn’t have worried, especially given this band’s track record. All of the new songs tonight sound fantastic and they’ll sit well alongside other live favourites, hopefully for years to come.

Before we know it we’re into the last three tracks of the night, although with a bit of a wink from Mark, we’re comforted by the fact that these won’t actually be the last songs of the night. We’re dropping the pretence after all these years and apparently there’ll be something called an encore…

It’s a race to the end of the set with ‘After Hours’ followed by ‘Slight Return’ and then ‘Never Going Nowhere’, coming as it does with its now traditional 80s pop medley. Tonight there’s ‘Obsession’ by Eurythmics, ‘Jump’ by Van Halen, ‘Power of Love’ by Huey Lewis and The News (a personal high point!) and a remarkable stab at ‘Feel For You’ by Chaka Khan! Believe me, you’re not getting this type of entertainment elsewhere and nor are you getting the option of finishing a song in the style of a) The Bluetones or b) Elvis, which is another thing that happens tonight! It’s safe to say Mark, that if it all goes t*ts up, you could make a decent living as an Elvis impersonator. I mean, we saw one in Mallorca that was genuinely robbing a living, so the Balearics market is ripe for the picking!

The end of the night comes all too soon with said encore of new track ‘Madeline’ and the classic that is ‘If’, which is so highly anticipated apparently that some bloke behind me is literally effing and jeffing at the band to play at the top of his voice!

If I’m honest, I would’ve stayed for a good while longer listening to these lads tonight. The Bluetones really are an absolute joy and I’m sure even big sweary Dave (possibly not his real name) would agree, despite the minute or so delay in playing ‘If’!

Afterwards, we make a quick trip to the merch stall so I can grab a t-shirt and a new hat and then it’s time to head home. Once again, as with so many other times in the past, it’s just been a brilliant night. Mark, Scott, Adam, Eds and Richard; thanks for the gig and for putting another huge smile on my face! That said, if I could make a suggestion for next time…how about ‘Thank You For Being A Friend’ from The Golden Girls for that medley? Surely no one would grumble…not even big sweary Dave!

Until the next time; cheers lads!