Middle Aged Gigging: Stereophonics at John Smith’s Stadium in Huddersfield.

A funny one this gig. Beforehand, I was slightly reticent about going and not for the usual reason of being middled aged and living life in an almost permanent state of tiredness. No, this was different. This was a stadium gig and I really couldn’t remember the last time I’d been to a gig in a stadium. In fact, if anything I’ve been going to gigs in smaller and smaller venues of late. I needn’t have worried so much though, as first Blossoms and then headliners Stereophonics served up a cracking night that may well have taken the roof off the place if it actually had one!

The first time I saw Stereophonics live was around 1996, before their first album came out in what was a glorified pub in Hanley, Stoke-on Trent and it still amazes me to see what they’ve become. Don’t get me wrong; they’ve always had the songs and talent to deserve to be selling out stadiums, but it’s a hell of a leap from those early days!

Tonight, we arrive (fashionably) later than planned and after a mix up over stage times, realise that we’ve missed the first support act. In fact, we’re still trying to get into the stadium as the night’s other support, Blossoms, take to the stage. So, while I’m a big fan of their song ‘Your Girlfriend’ it’s difficult to enjoy it while your being squeezed through a small gap to get into a stadium and then precariously edging down some stairs towards the pitch. Tricky to sing along to when you’re trying not to take an almighty tumble!

Blossoms look and sound great though. Singer Tom looks amazing in flared jeans, striped shirt a loose tie and there’s more than a little bit of Mick Jagger about him. Tonight, he also brings to mind Faces era Rod Stewart and even a little bit of Prince at times, which is surely no bad thing?

Their set is superb and songs like ‘Gary’, ‘I Like Your Look’ and ‘Charlemaine’ have the whole stadium grooving along. It’s a great start to our night and the perfect set up for the main event.

After a quick set change Stereophonics amble on to the stage to a great welcome. There’s the odd wave from the band, but it’s a pretty low key entrance. And before we know it we’re into opener ‘Vegas Two Times’ and it feels like the whole place is up and moving. It’s a great track to open with.

This being a ‘Stadium Anthems’ tour there’s plenty to enjoy. Lots of singalong anthems and lots to make even the most curmudgeonly and dancephobic music fan (that’s not me, by the way) shuffle their feet. And singer Kelly Jones looks the epitome of cool in shades, black jeans and a black leather jacket. Oh, to be a rock god!

Stereophonics prove themselves to be as tight as it gets and this is just a brilliant rock and roll show. The visual production – in the form of screens – is pretty good; videos accompanying some of the songs and the odd bit of pyrotechnics as well as some massive pink balloons sent out into the crowd later on in the set as night falls. However, it’s the music that counts here; a stand alone reason to come and see the band.

Singer Kelly Jones has always been renowned for his incredible voice and it doesn’t let him down tonight as he’s absolutely note perfect throughout. My fears about a stadium show are quickly allayed as Stereophonics fill the place with a great big dollop of good old rock and roll. There are the usual irritations about this kind of show – people barging through to get closer to the stage when ‘their song’ comes on, people chatting – but none of it manages to get in the way of this being an excellent gig. Stereophonics do indulge in the odd bit of rock posturing, the odd pose here, a showbiz point or wink there, but then maybe they’ve earned the right to call on the odd cliche having sold over 15m records! It certainly doesn’t spoil anything for me, anyway.

There’s barely a dull moment tonight. As I mentioned earlier, it’s a set of stadium anthems so you’d have to be a fairly miserable fan of the band to not be enjoying what’s on offer. For me though the standout tracks are ‘Geronimo’ complete with it’s enormous saxophone (a baritone sax, I think?), ‘I Wouldn’t Believe Your Radio’ with Kelly on ukelele, ‘Mr and Mrs Smith’ and ‘Mr. Writer’.

As we edge towards a close – and my knees and feet begin to grumble – we’re treated to the ever brilliant ‘Local Boy in The Photograph’ and ‘C’est La Vie’ before an encore comprising of blistering versions of ‘The Bartender and The Thief’ and ‘Dakota’. Stadium anthems indeed!

As they exit stage left, Stereophonics leave behind a very happy bunch of Yorkshire punters. It’s been a brilliant night and a gig and band well worth coming out for. Makes me think that I shouldn’t leave it as long between shows next time!

Middle Aged Gigging – Embrace at the Victoria Theatre, Halifax.

First there was a blanket of snow. Then there was torrential rain, followed by strong winds and in short, Yorkshire got battered by the weather. But it was Embrace that nearly took the roof off the theatre tonight.

As part of their tour for the 20th anniversary of the album ‘Out of Nothing’, tonight the band play the Victoria Theatre in Halifax. As local lads, it’s a bit of a homecoming kind of gig and as such, it was always going to be special and judging by the amount of smiling faces around me, the boys did the trick.

First up tonight are Fever, an indie rock band from Hull. The first thing that strikes me about Fever is that they are yet another in a now long line of support bands who make me feel very, very old! At least two of them look like they might need to spend tomorrow finishing off some GCSE coursework, but if that were true I’d say to sack the exams off, because Fever are excellent. There’s a hint of the Arctic Monkeys about Fever’s sound and while that may sound lazy, it’s certainly not an insult. Singer James has a real presence and a great voice and at times he reminds me ever so slightly of a young Ian Brown. But what makes Fever such a good watch tonight is most definitely the songs with tunes like ‘Why Can’t You hear Me?’ and ‘Gold Intentions’ making them a band that you should definitely seek out.

What we’ve all braved the rain and the snow for though, is Embrace and so as ‘What A Wonderful World’ is brought to an abrupt end and the lights are dimmed, there’s a tangible excitement in the room, which is quite the effort at our age!

We’re thrown straight in at the deep end with the classic ‘All You Good Good People’ and the whole room are on side and singing along. The band sound incredible and when they follow it with ‘Come Back to What You Know’ the atmosphere ramps up another notch.

‘Out of Nothing’ is the record being celebrated tonight though and so we’re given a run of songs from the album with ‘Looking As You Are’ being dedicated to Danny’s 5-year-old daughter Kate. ‘Keeping’ is the stand out track in this section for me though and as we break the run for a brilliant rendition of ‘Nature’s Law’ it feels like everyone is having an amazing night.

A special mention has to go to ‘A Glorious Day’ here though. I never thought I’d be the kind of bloke to turn on his camera light and sway at a gig, yet Danny McNamara asks and here we are! It looks and sounds amazing!

Half way through the set and it’s difficult to see how things could get better, but we’re then treated to and incredible ‘Out of Nothing’ which feels more and more like some kind of religious experience every time I hear it live. Rick – and his broken nail – takes the mic for a blistering ‘Refugees’ before the band are joined by Nicole from Eevah for ‘Never’. What a song and what a voice she has, by the way!

‘Gravity’ then does its usual job on me! As the first song at our wedding – and I’m guessing it’s the same for a few others in the room – it’s special anyway, but as someone who’s had heart trouble these past few years, ‘Can you hear my heart beating?’ is a gut punch like no other, albeit it a kind of friendly one. I cling to Mrs C and sing along, all the while trying not to cry in front of Danny…again!

Over the years, as I’ve gotten older, I’ve began to dread Danny McNamara announcing ‘Ashes’ by asking us if we’ll be jumping up and down. I’m 52 and had a pacemaker fitted two years ago, Danny. My knees are shot and my back aches on a near permanent basis these days. Jumping up and down gives me the fear! However, as the song kicks in and he follows it with the familiar refrain of ‘Up, up, up up!’ I’ve got an arm in the air and I appear to be doing exactly as he says and in turn facing that fear! What a song! It’s an incredible few minutes, albeit something that I’ll no doubt regret as I attempt to roll out of bed in the morning. I check my heart rate as the song ends – a familiar action these days! It’s 98 and not too bad, but still, I’m chuffed to bits when the security bloke offers me some water!

Thankfully, I get a break as Embrace leave the stage to rapturous cheers. And that’s what this feeling is when we see them; rapture. We smile, we forget everything else, we dance, we just about jump up and down and we’re able to lose ourselves for a couple of wonderful hours.

But obviously, it’s not over yet!

After a brilliant ‘Protection’ Danny gets us dancing for ‘We Are It’ and I wonder if me or Mrs C will ever be the ones who get pointed to. If you know, you know, as they say! Having been treated to ‘No Use Crying’ in Manchester last week, it still feels kind of exciting to hear it again live in the encore.

A powerful ‘Near Life’ allows us time to breathe a little before everyone in the place adds their ‘la, la, las’ to an incredible version of ‘The Good Will Out’ and I swear there’s enough power in those smiles to light up the room.

I’ve been watching Embrace play live for almost 30 years now and it’s always a beautiful feeling. I never want that to end. Tonight was another gig to file under ‘incredible’. Thanks lads; let’s do it all again soon!