Tag: Gig Review

Middle Age Gigging – The Bluetones at The Foundry, Sheffield.

If you got into live music in your teens and like me, are still going in your middle age, you’ll most likely know that things have changed a bit. You might well still go for pre-gig drinks, but it’ll likely be a more genteel affair, rather than one of the all day races you may have indulged in when you were younger and more carefree. Nowadays, you might even have childcare to take care of too.

However, the biggest change may well be in your mental and physical approach. Simple things like, can you be bothered to get out of your chair and leave the telly and will your aching back survive a night of shuffling along to some indie pop classics?

Saturday afternoon found me running through the usual things prior to some middle age gigging with The Bluetones. First, there was the battle to not talk myself out of going, which I must say was fairly easily won this time round. Then came the physical checklist, which as is par for the course nowadays, featured more crosses than ticks.

How’s my heart feeling? Not too bad, considering. Is my back ok? Erm, not really after the exertion of pushing that trolley round Asda this morning. What about the knees? Like Annie Wilkes from ‘Misery’ has been tending to them. Your eyes? Somewhat squinty, but as long as they don’t show a PowerPoint, I’ll get by.

In truth though, nothing was going to keep us in the house tonight as we have an appointment with long time faves The Bluetones who are touring their 1998 album ‘Return To The Last Chance Saloon’, so despite flood warnings, we’re heading to Sheffield.

Once there and parked up I’m given a timely reminder of my age – like when I look in a mirror, but slightly less painful – as my dodgy knee means that I struggle to climb the stairs in the car park! An instant decision is made that tonight will be spent at shuffling pace only!

Thankfully, we make it to the venue just after doors open and at my wife’s insistence we’re lucky enough to find ourselves some space on the barrier right at the front, so at least I’ve got something to hold on to!

It’s an early stage time tonight, so it doesn’t feel like we’ve been hanging around too long before support The Loose Cut take to the stage. I always find it tricky when reviewing support bands that I’ve no knowledge of because I worry that I’ll make some sort of insulting comparison, as I’m usually watching them and wondering who they might remind me of. For me though, The Loose Cut inhabit the border between indie pop and indie rock and during their six song set I hear the influence of people like Pearl Jam and early Kings of Leon as well as some 80s stuff like Hall and Oates, which is never a bad thing.

The Loose Cut give us an enjoyable set and manage to get the audience on side with their sheer enthusiasm and also a bit of crowd participation. Channeling his inner Freddie Mercury – minus the stupid noises – singer George guides us through the lyrics to the chorus of their song ‘Round and Round’ so that we can all sing along. And it works, as the crowd join in enthusiastically and everyone is smiling.

Aside from the songs, two other things stand out to me about The Loose Cut. Firstly, there’s the lookalike factor, which takes up far too much of my attention for the first couple of songs. Singer George – and apologies here if I begin to sound like Louis Walsh – has the look of a young Bryan Adams crossed with a youthful Sting, while drummer Manni is a ringer for the young John Peel. Add to that some truly splendid rock posturing and face pulling and for this short set, there’s a lot to write home about. The Loose Cut are definitely ones to keep an eye on.

But we’re here for The Bluetones and thankfully, it’s not too long before they take the stage with only Adam, Scott, Eds and Richard present for opener ‘Tone Blooze’. Mark is clearly saving himself for a bit later…and maybe making hasty last minute adjustments to his cummerbund. More of this slightly later.

It’s a high energy start to the gig with ‘Unpainted Arizona’ followed a brilliant ‘Solomon Bites the Worm’, getting the crowd singing along loudly. The high energy start though takes a noticeable casualty as Mark suffers a cummerbund malfunction. Ever the pro though, he soldiers on, probably safe in the knowledge that his dancing spats will keep our attention! By this point, one of my knees is already numb, but that’s a side issue now; I’m thoroughly enjoying myself, just like everyone else in the room. I’ll block out thoughts of car park stairs and worry about it later!

The band are resplendent in what can only be labelled 70s American Prom chic, with ruffled shirts and tuxedos, bow ties and even the odd pair of braces and I for one feel like I should have made a greater effort than black t-shirt and jeans.

Mark is his usual self in between songs; full of chat and with a gift for a one liner, telling us about how much playing the album will take out of them. I’m close enough to have a chat and wonder if he can empathise with my knee/car park story, but wisely decide against it as the band launch into ‘U.T.A’ and ‘Four Day Weekend’, or tracks 4 and 5 of the cassette as Mark calls them.

‘If’ is a highlight of the set and an undoubted crowd favourite and I manage to shuffle with just a little bit more freedom for this one. Turns out though that I’m not the only one thankful for the tamer pacing of ‘Sky Will Fall’ (one of my favourites) a little later as Mark reminds us of the pace of this album – “Side 2…a f***ing nightmare!” – and is more than pleased at the chance to slow things down a bit.

After this though we fly through to the end of the album taking in the brilliant ‘Down at the Reservoir’ and ‘Heard You Were Dead’ before a bit of a poignant moment as ‘Broken Starr’ is dedicated to a long time fan. It’s another huge sing along and a lovely tribute with Mark blowing kisses as he leaves the stage, but as we all know, we’re not quite finished yet.

The encore tonight is a mini greatest hits style one and it’s fantastic. At the best of times, The Bluetones songs make me feel extremely happy, but tonight is extra special.

The usual suspects are here, with this ‘set’ starting with ‘After Hours’ and going through ‘Bluetonic’, everyone’s mum’s favourite ‘Slight Return’, ‘Marblehead Johnson’ and a cover of Squeeze’s ‘Pulling Mussels’. But then the fun really starts as, with the band playing loosely as Mark has a bit more of a chat with the audience, he gets an idea. And a new song is born. Only those of us in the Foundry on Saturday night will ever know of ‘Sheffield Song’ as I think I can confidently predict that it’s never going to appear anywhere in the wider musical world; not even on one of Mark’s favourite cassettes!

The night ends with a blistering version of ‘Never Going Nowhere’ which takes an 80s diversion by including snippets of ‘Obsession’ by Eurythmics for a while in time honoured fashion, before wandering off deeper into Mark’s imagination with lines from ‘Jump’ by Van Halen, ‘The Power of Love’ by Huey Lewis and The News, ‘Blue Monday’ and, I think, ‘Driving Away From Home’ by It’s Immaterial (and you can correct me if I’m wrong on this one as I couldn’t quite place it on the night). Find me another band that will give you that and I’ll happily call you a great big fibber!

It’s been a brilliant night, as it always is with The Bluetones. My feet hurt and I don’t know if my knees will allow me to get to my car and my wife’s only small, so someone else may have to carry me up the stairs, but I’ve got a smile on my face. A quick look around shows me that I’m not alone either. With news of potential new music next year, it’s a great time to be a Bluetones fan…even if age is catching up with us all!

Middle Aged Gigging: Embrace at Sheffield 02 Academy

I feel like we go a long way back, us Crosbys and Embrace. This was a band that we began to follow in the early years of our relationship in the late 90s. A band that we quickly fell in love with, a band that we even invited to our wedding some years later and a band that we’ve pretty much grown into almost fully formed adults with. So it felt fitting that having last saw them just days before lockdown, Embrace were the first band we would see now that times are relatively normal again.

With a busy family life and demanding jobs, it’s safe to say that we don’t get out a great deal these days, so this Embrace gig had us giddy with excitement. However, the realisation of the timing was pretty awful. Taking place as it did on Sunday 4th September, this one represented a late night out when, as a teacher, I started back at work the next day after 6 weeks off! So, in the back of my mind that excitement was being chipped away at, just a little bit, by a feeling of dread!

We got there relatively early and to my initial horror were able to walk almost right to the front of the venue, standing right behind those clinging to the barrier. I’ve never been a fan of being ‘down the front’ at gigs, but bizarrely, as we’ve got older we just seem to have gravitated forward! Not a single note of music had been played and I was already worrying about getting barged all over the place. On the plus side though, this was going to be a great view.

Support on the night was provided by Ellur, a solo artist who is actually the daughter of Embrace guitarist Richard McNamara. She wasn’t meant to be supporting but a last minute change meant that she was drafted in at late notice. Dad Richard joined her onstage alongside a drummer and keyboard player and together they played a blinder! I’ve heard comparisons between Ellur and Adele, but for me the sound was more reminiscent of First Aid Kit, with a bit of an 80s influence in there somewhere too. I want to say that I could hear the influence of bands like Heart and Wilson Phillips too…but I’m not sure whether that’s a good thing or not!

Influences didn’t matter though, as the songs were great and despite the last minute filling in nature of it all, the set was excellent. You wouldn’t have guessed that she’d got the call so late! Ellur herself had a brilliant stage presence and a confidence that, all in all made for a really enjoyable performance.

We then had a feverishly paced change over – notable for the fact that the young lass playing drums for Ellur was pretty much just left to dismantle her entire drum kit on her own, making this middle aged dad feel quietly outraged on her behalf! – before the familiar strain of ‘Down To The River To Pray’ could be heard over the PA. It was time for Embrace.

Having seen countless Embrace gigs before, I shouldn’t get quite as giddy as I do when they take to the stage. However, I have a feeling that all Embrace fans get the same way and that we all experience the same thing at this point in a gig. Without getting too soppy, watching this particular group of blokes come out onto a stage always makes me smile and laugh. I know that I’m in for a thoroughly joyous experience…and what kind of person would I be if that didn’t make me feel good?

The set opens with a couple of songs from the new album, ‘How to be a Person like Other People’ in ‘Death is Not The End’ and ‘We Are It’, which go down really well and it’s noticeable how many of the crowd know the lyrics, despite the fact that the album had only been out around a week. It’s is a noticeable gear change of an opening. Maybe it’s all in my head, but it feels like Embrace have opened with ‘Ashes’ for as long as I can remember, so I’m used to having the adrenaline levels turned up a notch really quickly and as someone who struggles with the lyrics to even my favourite songs, not being able to sing along myself doesn’t really help! Still though, the news songs hit the spot and at least without ‘Ashes’ my knees are still intact!

In between songs Danny mentions that it’s a Sunday and that we’ll be trying to make it feel like a Saturday. He knows that it’s back to school tomorrow and gives a nod to us teachers, telling us that we can tell our employers to f*** off tomorrow and that we’re not coming in. I take it that he’s talking to me personally, but still find myself heading into work next day, when I’ve calmed back down! Maybe next time he can write me a note?

The next two songs though are what the youth of today – and maybe people experiencing some kind of mid life crisis – might refer to as ‘bangers’. It’s fair to say that ‘Come Back to What You know’ and ‘My Weakness is None of Your Business’ are Embrace anthems and when they’re played at a gig you can be sure that most of the crowd are singing along. Tonight is no exception and at this point the excitement and adrenaline of the gig is taken up a notch again.

What follows is a gig that could well be viewed as life affirming, if I hadn’t seen the same type of thing from Embrace so many times before. It’s still life affirming though! With the new songs more than holding their own alongside a selection of bona fide classics, it all adds up to one hell of a night out. The bond between the band and their fans is always obvious and this always ensures that there’s a huge positivity around the room. All around me people are smiling and singing, hands in the air, now blissfully unaware that it’s Sunday and it’s most likely back to the grind tomorrow morning! I’ve even forgotten that I have Danny’s permission to take the day off tomorrow!

The only problem tonight is that there are songs that you’d love to hear missing from the set. But that’s no one’s fault. That’s just always going to be the case when a band has so many well loved songs. So tonight, we cherish the likes of ‘All You Good Good People’, ‘Fireworks’ and ‘Gravity’ (first dance at my wedding and always the track that’ll make me well up a bit!), while also missing the likes of ‘Refugees’ and ‘Save Me’, even though ‘Save Me’ is another knee killer probably for a lot of us!

Tonight ends with ‘The Good Will Out’ and thousands of happy souls singing and screaming along to a stream of ‘la la la las’ that I don’t think any of us, including the band, wants to end.

Tomorrow, it’s back to normality, back to working for a living and worrying about what feels like the million different things that are dragging the country down at the moment. Tonight though, we’ve been lifted out of our daily grind, made Sunday feel like Saturday and once again, just had an absolutely incredible time watching the band that we adore. Thank God for Embrace and their ability to lift our sprits and make us forget about the daily grind…even if they won’t write you a note to excuse your absence from it for just one more day!