Category: Poem

Poetry Blog: Assessment

This is a poem I wrote on a whim. It came from boredom, if the truth be told. I’m sure I was suitably inspired by the company I was keeping at the time, but essentially it was the boredom that made me start scrawling on a piece of paper.

My Year 11 class were completing an assessment. I’d done about an hour’s input, fielding questions, giving reminders, making notes and then when the time was write set them off writing. After about 10 minutes of enduring the silence and trying to keep busy I realised that I just wanted to sit down. I couldn’t sit at the computer and do work because the screen that it was linked up to would show everything I was doing and I didn’t want my group getting distracted. So, I kept the title of the assessment on the screen and thought about what I could do.

It was a Thursday afternoon and we’re based in a fairly cramped room on a Thursday, so space and social distancing meant that I couldn’t just wander. I couldn’t really just stand either as the only place to stand would have been by the door and I felt sure that it wouldn’t be long before someone absent-mindedly opened the door and knocked me into next week. Hilarious for my class, I’m sure and not the fault of the door opener, as who would expect someone to be stupid enough to stand right in front of the door. So, a quick scan of the rom told me to sit at the one spare desk available.

After a whole five minutes I was bored, so I grabbed a sheet of paper. Perhaps I could practice my autograph? Instead, having sketched for a few moments – my current favourite is to draw myself as a Charlie Brown character – I found myself thinking about the group. And what started as a few rough lines of a potential poem about an assessment became something of a poem about how much they mean to me.

Assessment

In an unusually silent room the creaking desks are a constant source of annoyance.
Every so often a stare is accompanied by a sigh as another realises that there's nothing to be done about the noise.
The dimming of the lights adds an eeriness to the tension and I am helpless; the pigeon fancier who opens the loft to the flutter of wings that he can really only hope he'll hear again.
He can only pray they stay safe.
This is our first race. A journey that we have trained for and will repeat again until the future beckons
and I can no longer help, cajole or comfort, but still make time to worry, 
despite the reality that I may never see you or hear of you again.
We are left to count down the coming weeks and spread our wings a few last times, turn circles in the air, swoop, arc dive then return to the loft each time until it's time to fly the rest of the journey alone.

I’ve mentiond this group before. I’ve taught many of them for the majority of their school lives. I remember most as fresh faced, quite naughty Year 7s. In short – and not to insult them in any way – they’re a bottom set. My bottom set. Their language skills are at best, weak even at the top end and their knowledge of the world often leaves a lot to be desired. Sample fact to prove this? When I taught them for intervention English in Year 9 it took more than a few minutes of an hour lesson to convince at least one of them that Roald Dahl’s The BFG was not a real person. He wasn’t dead. He wasn’t alive. Roald Dahl had just made him up.

Studying Shakespeare, Dickens etc can be a challenge, both for them and me. But then one of them will offer an opinion or just remember something obtuse about the text and it feels like a huge win for all of us.

The group are currently enduring a series of assessments put in place to enable me to award them a GCSE grade in lieu of not being able to do the real exams due to Covid-19. I never really let on to groups how much I care, but as I sat and watched them write, witnessing every grimace, every pause for thought and every tongue slipped out of the side of the mouth in concentration, I couldn’t help but think about them in previous years throughout their time at our school. Of course I care. I care deeply, especially about my weaker groups and I found that I was just hit by how little I can now do for them. I genuinely worry about what some of them will end up doing once high school is finished and I desperately want them to get some kind of English GCSE to help them along the way.

As for the poem, I’m not really sure where the image of the pigeon fancier came from. But I was struck by how wondrous it is that these pigeons come ‘home’ to their loft after every race.

I was aware of pigeons and their owners from an early age. I was brought up in the North East of England where racing pigeons can attract some quite fanatical people. I have memories of several ‘uncles’ (not real family, probably family friends or neighbours, but always called uncles or aunties) who kept racing pigeons when I lived at home. They’d spend ridiculous amounts of money and time making their birds as comfortable as possible in the hope of winning races and it always held a bit of a fascination for me. On the afternoon of the assessment that was how I felt. Like I’d lavished time and energy on my group and that soon it would be time to let them go. In truth, I don’t want to.

As ever, I hope you enjoyed the poem. I think the subject matter might inspire more in the weeks and months to come! Feel free to let me know what you thought in the comments.

Poetry Blog: Ghosts

This is a poem about loss. It’s not about loss in the traditional sense of losing someone who died though. This is about the loss of friends and friendships, which seems to be something has has afflicted me a lot over the years.

It’s a poem about losing touch and if I’m honest, probably losing interest. It’s about the transitory nature of friendships and how they grow, but also about how we can grow or move away from them, or them from us. I hope that makes sense. I suppose it’s about how they grow and how they fade.

It is, for me a type of loss though. I genuinely find staying in touch with people really difficult. This is partly because life is just so busy that if I’m immersed in my daily work routine or taking care of the everyday adventures of family life, I just get a bit lost. It makes me feel like an incomplete person, someone who’s clearly not a proper adult. Even while writing this I’m aware of the fact that I was meant to get in touch with my sister two days ago, as she’s unwell, but I haven’t done it.

My sister is an interesting ‘ghost’. I use the excuse that I’m six years younger than her and that we don’t have a lot in common – apart from parents and upbringing – but that’s all it is; an excuse. I really should keep in touch more than I do. And I get that these things are a two way street – she doesn’t call or text regularly either – but I need to be a better brother.

It’s a form of loss that really bothers me. I probably think about friends I’ve lost touch with most days, which would probably surprise some of those friends. Not all of them at once, but individuals will regularly pop into my head and it can make me tremendously sad to think that they’re only a call away, or an email or text and yet they might as well be on a different planet. Yet, something still stops me. Whether it’s the embarrassment, in some cases, that I haven’t spoken to someone in years and therefore I fear some kind of rejection from them, I don’t know. But I can easily envisage someone seeing my name coming up on their phone and just rejecting the call. It doesn’t give me a crippling sense of loss in the same way that a bereavement would, but it’s something that makes me feel a horrible sense of loneliness and guilt at times.

To my knowledge I’ve never lost a friend by actually falling out with them. I would say that in that sense, I’m a good friend. I do, however, seem to be cursed with becoming friends with people who then move away! Maybe they’re trying to tell me something. This has caused an awful sense of loss in some cases as well though. I desperately miss the friendship of someone who was only local to me for two years before they emigrated to another continent (I won’t name names, but they may well read this!) This was just someone that I clicked with completely and his loss did have an effect on me at the time that was akin to that of a bereavement. There are others too, that although I keep in touch with them and I’ve known them for most of my life, their absence from my every day life genuinely hurts. Texts and Facebook messages just aren’t the same.

Ghosts

I think of you often; ghosts.
Either re-living past glories or indulging in imaginary conversations
in the comfort of my head.
Keep in touch, we said.

Sometimes you re-appear from the past
and I blame myself, wonder why I went silent.
The girl who got the job, became the boss is just a miracle really.
The ghost who came back to life and helped to show you just how friendship works.

Other ghosts are far too many to mention, without a crippling guilt taking its toll.
I'll never know if it was me that drove you away,
but I'll always ask the question.
Keep in touch we said, 
and I disappeared like the dead.

The one who vanished, perhaps hiding the shame of a break-up.
I'll never know if I could have done more.
Those who had the audacity to carry on living lives without me,
some forever extending their hand,
while I make excuses, ignore the calls, hide in these four walls,
without ever really knowing why.

Those who, like paper aeroplanes, were taken away by the breeze,
and may float close by again,
tantalising like the promise of a meet up in the sign off of a text
until they fly so far that you'll never reach them again.
Keep in touch we said,
the embers now a dying red.

Then the ones that saw you at your worst.
These ghosts? You're forever in their debt.
The one who scraped you off the floor, mended the first real heartbreak,
talked you down, walked you round, held your hand,
now relegated to the occasional like on social media.

And don't forget the girl who looked out for you when work became almost too much,
boosted your confidence, while simultaneously kicking you up the arse
and telling you bluntly, to polish your shoes.
She who mothered you, but when she left called you her big brother,
still cast adrift years later without a reason why.

Those ghosts we lost along the way,
are no longer just there on the other end of a phone,
but leave a million shades of regret, of things you never said, of sleepless nights, 
and the ever-present pain in the gut that reminds you that you could have done more, 
should have done more...

Keep in touch we said
but all that's left is in your head.

I feel that some of these ‘ghosts’ must think that I’m a pretty terrible person who just doesn’t care. I do care. I’m just awful at showing it and at keeping up appearances. Even when I get in touch with people I imagine them thinking, ‘what does he want?’ This feeling probably isn’t helped by people like my dad who regularly answers the phone with such witticisms as, ‘We thought you’d died’. Hilarious. Funnier still given that my parents rarely ring.

I know there’s a saying that the best friends are those you don’t have to talk to every day to know that they’re still friends (or something like that) and I definitely have friends like that. But I wish I spoke to them more. And maybe this confessional will make me step up my friendship game (as no one said, ever) or maybe one of them will read this and check in on me (please no U ok hun? type things though). Anything would be good in these times of not being able to meet up.

I hope you enjoyed the poem. And at the risk of sounding like I just ate a whole block of cheese, if it resonated in any way, maybe you could call that friend you’ve been thinking of lately? Cheeseball or not, I know I’ve got some reaching out to do.

As ever, feel free to let me know what you thought in the comments.

Poetry Blog: ‘On teaching those that aren’t really listening…’

I wrote this poem after a particularly trying lesson with one of my lower ability English groups. Please don’t get me wrong when you read the poem – I love teaching these groups and I certainly don’t mean to be disparaging in any way. It’s the students that are struggling, the ones who’ve been in and out of trouble for years, the ones that can’t stand the subject and the ones that want to push your buttons, that I enjoy teaching the most.

I seem to have become a bit of a specialist in this area of my job and I’ve lost count of the number of bottom set GCSE groups I’ve been handed over the years. It’s definitely an aquired taste, but I wouldn’t have it any other way.

So here’s my poem

On teaching those that aren't really listening...

On teaching those that aren't really listening,
the disengaged and disenfranchised and those who would, quite frankly, rather be anywhere but here 
you must make like a boy scout; be prepared.

Because, make no mistake; no task is ever simple.

Although each lesson will start the same for hundreds in a row, your simple instruction - 'Date, Title, Learning Purpose'
will still be met by at least one motionless student who may well imagine that the pen will write itself.
There will also be at least another who will ask, "Do we write the date?" and another who simply ignores what's on
not one board, but two to ask, "What's the title?"
You're allowed to sigh. It's fine to indulge in some eye-rolling. But.
Stay calm. Your sarcasm will fly through the nearest window, so be prepared to repeat
or at the very least, to point it out again.
Even your request to write even a bullet point list will be questioned.
"Do I need to use bullet points?" or "Can I do a Spider Diagram?"
Then, when you've spent the best part of an hour prepping them with every detail of every feature of how to write A REPORT,
showed them an example, got them to label the features and look for language examples, told them how to start,
told them how to finish and showed them the types of things to write in between, given them example sentences, 
and done everything you could apart from write the actual thing yourself...
you walk around the room, peeping over shoulders to see one will not start because, in their words, "Eh, what we supposed to be doing?" 
and, I'm not exaggerating, when I say that
32 out of the 14 in the class will not have written anywhere near enough
and that still half of the class are writing A F***ING LETTER.

I’ve taught many of the members of this particular group for a number of years now. Some of them for every year of their high school careers. So it’s safe to say that I know what to expect and that nothing at all will come as a surprise. But I have to admit that the lesson that inspired this poem was a particularly trying one. Any copying out was met with at least one, ‘Do we copy that?’, any task was met with at least one, ‘So are we (and then they’d either repeat the task back at you or just ask if we were writing a letter!) and almost every period of silence was punctuated by a silly noise and a fit of giggles.

It didn’t make me angry at all. Well, not particularly. I’d like to think I have some patience in these scenarios. I certainly should do as I’ve taught these groups for over twenty years now. But the fact that it still left me a bit exasperated gave me the idea for the poem.

It was an unusual process for me in terms of how I wrote the poem in that I just sat down at the computer and wrote. Or typed. Where usually I’ll sit and write notes and maybe even the odd few lines that might pop into my head and then knit them all together later, this was pretty much a stream of consciousness. There were one or two bits of re-ordering made, but this poem was pretty much just written as I thought of it (and I’m not very sure of it as a result.)

As ever, I’m genuinely interested in opinions, so let me know what you think in the comments.

Poetry Blog: Sixth on the list (behind key workers and various degrees of old people.)

I had my first dose of the Covid vaccine last weekend and it’s safe to say that it felt like quite a momentous occasion. As someone regarded as being vulnerable to the virus, it was something I’d kind of looked forward to since news of a vaccine first broke. Not in the same way as I might look forward to some beer and cake, a new Grandaddy record or Christmas, but I was looking forward to it.

It was done early on Saturday morning and I was in and out within about 20 minutes, including having to queue outside for around 10 minutes. Everything was well organised, the staff were friendly and helpful and it was a generally positive experience. Definitely something worth writing a poem about. And it would have been a bright and breezy, optimistic poem as well. But then the side effects hit on Saturday afternoon…

Anyway, here’s my poem about having the vaccine.

'Sixth on the list (behind key workers and various degrees of old people.)'

On a misty Spring morning the air fizzes with an optimism and good humour
that I can't remember feeling in a long while.
March gently attempts to wrestle February to one side 
and it's almost twelve months since the fear began.

Within minutes a smiling volunteer injects some fight into my
'at risk' body that signals hope, a way forward, a route home.
As I walk back, the town is waking up and as their day breaks
I feel I have a secret that I'd like to share with all.

I bury my bare hands deep inside the pockets of a jacket,
turn my collar to fight the chill and resist the urge to skip 
down the hill to my front door, safe in the knowledge that
I have at least half of the weapons needed for the rest of the fight.

The rest is a canyon sized unknown; I will suffer to feel good,
wait in the dark to feel better and then go through
it all again before I am able to even think about 
casting aside the unwanted cloud of our restrictions.

Over sixteen hours later, having grumbled my way through
discomfort, nausea, shivers, fatigue and pain, 
having shouted myself hoarse at a curse of Magpies, I will sit alone,
at the kitchen table, as the house sleeps around me.

I will try to find the words to make it all sound like a proper
opera, praying silently for sleep and the chance to shut down
the hell and then feel well again, but fail as all the while 
one inane thought gnaws away at my brain:

I didn't even get a sticker.

On the whole, I have to say that the whole vaccine thing was a positive experience. It wasn’t stressful at all, mainly because of the way it was organised and the staff, but my worries about the after effects would come true and then some!

For the first few hours, all I suffered with was a bit of a sore arm, but then gradually more and more went wrong. I was fatigued, felt sick, was dizzy, everywhere ached and I just felt incredibly rough, as mentioned in the poem. Strangely though, when it came to heading off to bed, I was wide awake and ended up back downstairs, where I proceeded to open a notebook and write this poem!

I managed some sleep that night, eventually, but didn’t really feel a great deal better on the Sunday. It doesn’t matter though. The fact that I’m safer now means the world and the fact that I may be able to see my family and friends again relatively soon, makes it all worth while.

As for the poem, it’s all quite straightforward, although there’s maybe a couple of lines in the sixth and seventh stanzas that are probably best explained. Despite feeling worse than I’ve felt for a long time, I was fully aware that my football team, Newcastle United were playing that evening, live on Sky Sports. There was no way that I was missing it, as long as I could keep my eyes open. Hence then the line about shouting myself hoarse at a curse of magpies, as if you don’t know, we play in black and white stripes and are known as the magpies. It’s safe to say that my croaky voice next morning had nothing at all to do with the vaccine. The other line that I wanted to explain was the bit about making it sound like a ‘proper opera’. That’s me laughing at myself as I wrote the poem. The opera reference, be it soap or the more theatrical version is me looking back and just wondering if I’ve made a bit of a big deal about it all! In my defence, it was particularly horrible though…

As always, I hope you enjoyed the poem and I’d be interested to hear any feedback you might have, so feel free to leave a comment.

Poetry Blog: Circle

This is a poem I wrote about a month ago and as such, it was based more on what I knew was going to happen, rather than actually watching it happen.

It’s a poem about watching the year pass, I suppose. It came about because where I sit at our dining table gives me a lovely view of our garden. So if I’m working there, I might well drift off to watching what’s happening, or in the morning I’ll quite often gaze out of the window if I’m waiting for the kettle to boil or the toast to pop up. So obviously, I see a lot of change during the year.

The poem came about because I was looking at a particular tree and reminding myself that it needs to be pruned. This is a thought I have from around January every year, as this particular tree can block out quite a bit of sunlight. So every year I vow that it’s going to get cut back. And every year I fail.

The poem starts in Spring. I love Spring. It’s the season that gives that suggestion of new life, year in year out. And with this tree, it’s the season where I either admit defeat or spring – no pun intended – into life and manage to cut back a few branches before getting overwhelmed by the amount of foliage I’ll have to compost or the amount of insect life that ends up in my hair, eyes and mouth.

I find that I’ve got through Winter, with it’s freezing cold walks and runs, its snow days and its lack of daylight and that everything starts to feel better with Spring. There are the obvious signs, like the shoots of plants emerging from previously frozen soil, blossom on the trees and that sort of thing. The weather gets better too. Usually, here in England, it gets better to the point where you begin to kid yourself that we’ll get a scorching hot summer, which as we all know, is never the case! But Spring is definitely a time for optimism.

So while the poem is about change, it’s more about one of the trees in my back garden and I guess, (if we’re going to try and intellectualise things!) the relationship that we have.

Circle

Every Spring you burst into life, disappointing me with leaves that will become back ache later in the year.
Your foliage, however, quickly becomes something more captivating than irritating,
teeming with life and becoming a canvas to admire, like a masterpiece in some far away gallery.

Your enthusiasm for life kickstarts mine and accompanied  by the sun, I am far more diligent in filling
up the feeders that bring birds to your branches, like day trippers to a Bank Holiday beach.
It will stay this way for months, as greedy beaks plunder your hospitality and we sit, camera at the ready,
awaiting a prompt for creativity.

Slowly at first, your metamorphosis begins, picking up the pace as the visits of the sun decrease.
And as they do, my own footsteps slow too. The birds too become a burden if it means a visit to a cold, wet garden.
Like an ageing film star your beauty fades with time and I turn my attention elsewhere,
knowing that before too long your leaves will demand it again.

And then, as the wind howls and the rain has nothing of yours left to spatter against, I am forced out to you
repeatedly in order to clean up your fallen grace.
When eventually my grudging enthusiasm withers, mutters and dies, a carpet of leaf mulch will form,
turning green to browns and blacks, but giving a squirrel a somewhat less than glamorous pantry.

While the light hours of my days are spent elsewhere you slowly spring to life once more as the circle turns.
As buds appear, I sense a missed opportunity and might even, in a frenzied quarter hour, cut away the odd branch
left at arm's length or those that a daredevil few moments on a step ladder may allow me to stretch to,
before nerves and a fear of falling get the better of me and I decide you look just fine.

But every year you escape to grow back those curls, welcome back an abundance of life and steal the light
away from late afternoons, sat in a favourite chair.
And with every passing year I will concede to another defeat and sit back, relax
and stare at all you bring to life.

There’s not much to add here. Not much to try and explain, as I think it’s a fairly simple and straightforward poem.

I called the poem ‘Circle’ because it’s quite a cyclical poem. It’s about the seasons; about a life cycle, I suppose. So, I arrived at ‘Circle’ because of that, but also because I begun to realise that I’m terrible at naming my poems. I’m also terrible at headlines for my articles and book reviews too. At first I called the poem ‘The Problem with Spring’ but then changed my mind when I re-read it and found that it wasn’t just about Spring after all. In my notebook it’s simply called ‘Tree’, but then I thought about trying to get people to read it and the tweet that would go out telling the world, ‘I wrote a poem about a tree’ and wondering why even less people than usual were reading! ‘Seasons Change’ was taken from a Buffalo Tom song, so I ditched that to avoid plagiarism. ‘Seasons’ was almost as bad as ‘Tree’ and ‘Cycle’ gave the entirely wrong impression, so I went with ‘Circle’. It’s still not great and I’m still not happy, but it’s done now!

The tree isn’t a particularly interesting tree. I’ve lived in the house for 23 years and I still couldn’t tell you what kind of tree it is, in fact! It’s not particularly striking or lovely. And yet, there are times, when the sun is streaming through the leaves and birds are hopping between branches, that it really is beautiful. In fact, it was probably one of these moments that led me to write the poem.

As ever, I’d love to know what people think of the poem. And the name, of course!

Poetry Blog: ‘Snow Day’

This was a poem I wrote after a couple of days recently where it snowed heavily. On both occasions our school closed and we reverted to remote learning from home. Sadly, I only stayed away from work on one of them. But more of that later.

I wanted to write about the sensation of a snowy day, rather than just pointing out lots of things that would be happening. I think there’s something still very special and almost magical about waking up to discover that there’s been snow and better still, it’s still there. Even as an adult, I still find it quite a captivating time and it definitely makes the place look a lot better, if only usually for about 24 hours. There can never be enough snowy landscape photos!

So, when you think about how beautiful the snow can make a place look, add in the anticipation as you notice that the sky is ‘full’ – because we’re all weather experts when it looks like it’ll snow – the sensation of the cold of a snow day – I always find it’s a different kind of cold when it’s snowed – it all makes for something very poetic. It was only right that I attempted something.

I found as I got part of the way through, that the notes I was writing from seemed to have a mixture of ideas; some about being a kid and others about being an adult in the snow. Two very different things! As a kid you just want to be out there without a care in the world, not feeling the cold or worrying about having any kind of accident. As an adult, I’m often completely on edge about the journey to work and getting stuck! So, I adapted as I wrote and ended up with a poem that contrasts those experiences instead of the one that I set out to write!

So here’s what I ended up with.

Snow Day

An eerie light creeps from outside.
It seeps under the blinds and reaches out, grabs you attention. The first hint.
Then through an opened window the glorious realisation, 
still the same rush as when you were a child.
Snow.

Today, you could be a child again.
The yelping toddler and the carefree teenager all rolled into one glorious experience
for an hour or a day. It doesn't matter.
A blanket of white wraps round you and keeps you safe and secure, 
blocking out the strain of the everyday, of adulthood.

Instead, you brace yourself, take crunching baby steps down the path,
clear the joints bwween doors and doorframes, the freezing of a finger in vain
as a sliver of snow slides onto the diver's seat.
The first part of a treacherous journey will be spent fighting the cold from every angle 
so you pray to someone's god and just keep moving.

You should be sledging, with the rush of a chill wind on your crimson cheeks,
the daring of your youth flooding back as you race down the snow covered hill,
clinging on for dear life, unable to control the smile and the happy noise that escapes.
For a moment, you don't care about what happens between here
and the well trodden flat at the bottom.

Back in the real world you hunch over the wheel
unable to take in the beauty of a landscape turned white by feathery flakes.
Adrenalin coarses as you slide to the side and you let out a sigh at every stop.
A warning light alerts you to approaching danger as you here an engine's struggles
and set you sights on simply cresting the next wave.

You wish it was possible to go back to the fearless child, 
whooping down that bank again, taking the shorter route left in a moment of doubt
or, more likely, tackling the whole run, head on, all the way 
down the hill on a sheet of plastic bag, spinning, out of control
until you stop, trudge back, delirious and dice with death time and time again.

But, in the furroughed brow of the here and now,
fun seems an eternity away as you fight against the same roads as every other day
your heart beating, like someone pressed a button that
changed the level on the video game and every bend and hill mus be aproached with 
a caution never seen before. That front door will never look so good again.

This was a very different poem to write. In terms of how it looked on the page of my notebook, it was like something I do at work. Lots of snippets of lines, bullet points, snatches of poem written wherever I could fit them and arrows joining some if not all of it together.

As I wrote it I changed my mind on what it was going to be and as I stated above, I included some stanzas about adulthood. However, I only had two half formed ‘adult’ experiences down at that point so had to write more and try and form a logical kind of ‘narrative’ as I wrote. In that way, it was a really tricky poem to write. I hope it doesn’t sound too cobbled together!

The whole adult experience with snow was summed up in January this year when one journey home from work in the snow ended up taking over six hours. So, I suppose it’s a good thing that the poem reflects this side of things too and the dread that snow can bring nowadays.

One other thing to point out is that I deliberately tried to include lots of sibilance and enjambment in there. The sibilance was there to try and replicate the sounds of sledging (there I go again!), the hissing and swishing of the plastic against the snow. The enjambment was there to pick up pace as I wanted to get across the recklessness of sledging as a child and the speed that you would pick up as you went down a hill. I hope that doesn’t sound too pretentious, but I wanted to at least explain what I was trying to do!

As ever, I’d love to hear what people thought, so feel free to let me know in the comments.

Poetry Blog: Big Garden Birdwatch.

Ornithology. Birding. Twitching. Whichever way you look at it, it amounts to the same thing. Bird-watching. And whichever way you look at it, it’s what’s led me to this. The RSPB’s Big Garden Birdwatch; an annual event where those who take part log the birds they spot in their garden across an hour of one of three days in January. What is the world’s biggest bird survey, is something that we’ve taken part in, as a family, for several years now and it never gets any less tense. What should be a bit of fun, counting and identifying the birds in the garden, can actually play havoc with one’s heart rate and blood pressure. Surely, I’m doing it wrong?

While we’ve done it for quite a few years now, we’ve rarely had a really successful one. And by successful, of course I mean dramatic exciting, like an emu leaping the fence and having a go on the trampoline. (Well somebody needs to; ours is reduced to garden sculpture status these days). However, some would say that you’re missing the point if you’re only in it for the drama. The whole point is just to log what you see, however big or small the numbers or birds because that’s what helps the RSPB out. But as with anything, it’s always nice to stand out a little bit.

We have had some more remarkable birds in our garden in the past, but never on the day of the Big Garden Birdwatch. We’ve had a kestrel perch on our fence right next to the window as we were eating dinner at the table. I think we once, briefly, had a sparrowhawk, but its identity was shrouded somewhat by a huge camelia at the back of the garden (get me with my subtle garden based bragging!) and a heron landed on a neighbour’s roof one day. We sporadically have a Great Spotted Woodpecker that visits too. But we’re ‘reduced’ to our regulars more often than not on the day of the BGB. And rightly or wrongly, I’m always a little disappointed.

However, it’s always a bit of a thrill to take part and this year I felt inspired enough to write a poem.

Big Garden Birdwatch

Drawing the curtains, more in hope than anything else,
I'm bouoyed by a blackbird, rallied by a robin.
We plant the feet, scan the immediate horizon and stay as still as we can.
Away we go. A tense hour awaits and maybe this will be all we see.

Armed with a poster to confirm our bird spots and two pairs of binoculars at hand
we scope every inch of the  garden for more.
Every so often something flits across our line of vision, but it's difficult to tell
if it's in our trees or those in the fields behind. This struggle is real.

But then, the pulse rate quickens at the sight of something on a feeder.
We struggle to focus our sights, finding it, but losing it just as quickly. 
And then. There's yellow, no mustard, a black marking...
We check the poster to confirm a coal tit. I was hoping for a vulture.

A period of silence then ensues and we exploit this, taking turns to make breakfast,
keeping one eye, at least, on the prize at all times.
Within minutes, a burst of activity scatters toast and brings a clutch of sparrows,
but no sparrow hawk, a lone blue tit, but no blue macaw or kingfisher.

Suddenly they seem to be everywhere; sparrows scattered around the branches
Only everywhere's a slight exaggeration, but we almost have a five bar gate.
Close, but no cigar. Near, but still a bit too distant.
We mark them on our poster and frown, underwhelmed by our visitors so far.

We scan the garden for anything we've missed. Minutes tick by with nothing but hope.
And then one of our ubiquitous woodpigeons thunks on to a branch gaining our attention.
As I go to make a note a flash of red pulls me back.
A focused gaze shows not only red, but yellow and black - we've struck gold...finch.

These two have strayed from nearer the estate's equator to the frozen North of our silver birch
Never once seen before and probably never to be witnessed again.
From that mighty high, it's all downhill from here.
Typically, a magpie lands and no other species dares enter our birdwatch for the remainder of the hour.

We pack away our equipment and return to the more uniform duties of the day,
the birdwatch over for another year, but a moderate cause for celebration.
No doubt now an eagle will land, perhaps a dodo even,
But outside of our golden hour, although a thrill, none of them would count.

Hopefully, that gives an idea of not just our experience, but the large majority of Big Garden Birdwatch experiences. I imagine lots of us set out hoping for something that we deem ‘exciting’ to happen and in a way, miss the point of the whole thing. It doesn’t matter; I still I’ll always retain that approach!

I think in many ways, that’s what made the appearance of the two goldfinches so good. As I mention in the poem, if I head further down the hill on our estate (south towards the ‘Equator’ if you will) there are certain places where you’ll see them in the trees. But we’ve literally never had them in our garden before. So what a time for them to arrive.

A few notes, if you like, about the poem by way of explanation (or perhaps I’m just trying to sound like a proper poet). I deliberately used alliteration in the second line to convey the sense of excitement in our house at that moment. Myself and my son were first downstairs and we knew we’d be doing the birdwatch, but having done it before and spent an hour seeing two or three birds enter the garden, it was a genuine thrill to see two within a second! So I thought the alliteration there was apt.

The line, ‘The struggle is real’ is sarcastic. I’m laughing at myself a bit there as I do get a bit carried away with BGB day and actually, I shouldn’t be quite so serious as to be surveying the entire family as to whether or not ‘that bird’ is in our tree or another that’s beyond our fence. It’s a dig at my seriousness as much as my eyesight! Middle age means that I can’t accurately see which branches belong where nowadays! A little later on, the lines about a vulture, macaw and kingfisher are the same; me gently mocking myself (and possibly lots of us who do the BGB) and my hopes that something rare will suddenly decide that it needs to visit my particular corner of the planet so it can get ticked off on a survey. I don’t know if I think I’ll achieve some kind of fame and notoriety by being the bloke who spotted the particular bird that no one else saw!

Two other things to explain: the ‘five bar gate’ in the 5th stanza is just a way of keeping score. Four marks on a page and then when you get to a fifth, you cross the four to make a gate. The other thing was the ‘thunk’ of the woodpigeon. This is the noise I like to imagine these ‘thick set’ birds make. I know it’s not as they’re actually quite graceful in real life.

So, I hope you enjoy the poem and I hope that if you are someone who participates in The Big Garden Birdwatch year after year, you can recognise certain things in it. And I don’t just mean birds. Hopefully, the excitement and element of competition is not just to be found in our house!

Close Encounter

Here in the U.K. our first lockdown was quite the experience to go through. It was often eerily quiet with the majority of people unable to work. Large swathes of the population simply stayed indoors and those of us who took our daily exercise allowance found that the streets were often theirs.

Within weeks, people started noticing that in amongst all the quiet, birdsong was prominent. Suddenly, with no traffic noise, the sound of birds singing and chirping became noticeably louder. And I think lots of us found that fantastic. At the time, the weather was great and I can distinctly remember that we would do our Joe Wicks workout from 9am and then afterwards we’d go and do some stretches to warm down in the garden. Listening to the birds at that point become a regular part of our day.

Life has moved on since that point. We’re back in lockdown, but there’s a distinct difference; more people out and about, more cars and less in the way of wildlife as a result. This all changed for a fantastic few minutes for me on a recent Sunday afternoon. The pictures tell the story, but I’ll fill in the gaps. I had been meaning to fill up our bird feeders for a couple of weeks, but just hadn’t got round to it. However, I had a bit of time on this particular Sunday, so I wrapped up and out I went. As soon as I’d done, I felt like I was being watched. And then I heard some beautiful birdsong. Closer inspection of our tree revealed a small bird and when I watched for a further few seconds, I could see it was a robin. What happened next was just lovely and the poem tell the tale for me.

Close Encounter

I hear you before I see you,
a bright chirping preceding your bright feathers,
and then, only feet away, fearless, your red breast makes you known.

The feeders full, you're first to the banquet,
yet it seems you want to pause a while to chat.
I move slowly, but needn't bother as you simply stand and stare,
perfectly relaxed about our meeting despite your vulnerability.

Perhaps you're thanking me for the food.
Perhaps you're just wondering why I'm still here and why this took so long.
I neither know nor care; you've made my day,
brightened a cold and gloomy Sunday afternoon.

Robin. Little bird not even the size of a tennis ball,
yet bold enough to sit within arms length and attempt to hold a conversation,
I could stay here and stare at you for hours.

It doesn’t seem like much happened, but it was just a lovely few minutes. I didn’t even think to write about it until I posted some pictures of the robin on social media and a friend suggested it. Thanks Ruth!

I can’t stress enough just how close this bird got. I think it comes out in the images, but, if it doesn’t it was about three feet away. Close enough to make itself known, but far enough away to show it was still a little wary of me.

At first, as I tried to take pictures, the robin jumped down from the tree and would settle on a branch of a shrub below just long enough for me to see it, and then jump off. It was like it was toying with me. Then, after a minute or so, it just perched on a branch just above head height and started to sing at me, allowing me to click away and take some pictures. Annoyingly, I didn’t think to video it, instead spending a few minutes just watching – and yes, alright, I talked to it as well – before heading back inside, content to leave the robin alone and go and tell my wife about what had just happened.

I’m hoping to see it again and have another chat this weekend. Let me know what you think of the poem in the comments.

Poetry Blog – ‘Early Morning Run’

If you’ve read the blog before or are a regular reader (I don’t know if I actually have regular readers, but there you go…) you might already know that I’m a big fan of running. I’d been a sporadic runner for most of my life until the first period of lockdown when I found the time to really work on my fitness and found myself running on a far more regular basis.

In the past, I’ve dabbled with early morning runs. I’ve always thought they were a good idea and it doesn’t particularly bother me that I have to get out of bed early. I’ve never been one for having a lie in and although I wouldn’t call myself a morning person, I can just about function at that time of day. However, I’ve never taken early morning running this seriously before. In the past I think I’ve just been of the view that getting out of bed and doing a bit is enough. Nowadays – probably because I’ve got myself a lot fitter – I take things more seriously.

So since early November last year I’ve been getting up before 7am every Sunday and heading out for a run. My wife thinks I might be going mad or perhaps having some kind of mid-life crisis, but I’m definitely not! I’m just enjoying running. I don’t think I’ve ever ran this early before, but it’s enabled me to experience quite a lot of brilliant things. I’ve ran along long straight roads with barely a vehicle in sight and watched as the sun comes up. I’ve been able to start my day in absolute solitude, gathering my thoughts and just feeling completely and utterly relaxed. I’m calm while running, rather than panicking about how I’m feeling, whether I’d be able to finish, the pain in a muscle etc. And I’ve had time to think, which has helped me a lot with things that I want to write about. I’ll be taking a dictaphone out with me soon!

With all the solitude, the calm, the energised feelings I’ve had after running, it felt obvious to write a poem about my early morning runs. I’d even been taking photos to help me remember certain things. And so, I sat down and wrote some notes. Sometimes these turn into lines from a poem, other times they just stay as bullet points, until I get the urge to sit and write the actual poem. In the case of this poem, I wrote minimal notes and spent a chunk of one Sunday morning, post run, just writing the poem. There were a few bits scribbled out, I suppose as part of a drafting process, but in the main this was a poem that was written as a first draft. Maybe that says something about my enthusiasm for the subject matter…

Early Morning Run

Although a pre-7am alarm on a Sunday is very much the stuff of nightmares, it’s done now. There’s no going back. I roll from under the covers and stumble like a broken robot across the blackness of the bedroom to halt the alarm, then, after a brief flirtation with the cold tap to awaken my senses, I’m downstairs, my body protesting as I stretch. Finally, when there’s nothing left to delay me, I leave the relative warmth behind.

Outside, a pattering against nearby leaves alerts me to the drizzle. My heart sinks slightly, but I turn and run. As I climb the first hill, the early morning fog rolls down at me. I push on, my bare arms and legs slowly adjusting to the biting cold and by the top, although catching my breath, I’m into my stride.

The centre of town is a place for ghosts, only the gentle pad of my feet on concrete can be heard and there’s only me to be seen. The sun fights a losing battle with the fog as I plod on and the only light to be seen belongs to the occasional cars of shift workers heading for warmth. I afford myself a few quiet words of encouragement, tell myself it won’t be long before I’m in their shoes.

On the outskirts of town I run on the empty road, giving up my territory every so often as early morning haulage thunders past and shakes the pavement. I relax, the only soul for miles around, alone with my thoughts and the constant voice in my head offering platitudes, encouragement, advice. Shoulders back, straighten out, head up, lengthen your stride, keep going.

Further down the road, as I tire, a shiftworker emerges like a high viz beacon and we exchange nods, perhaps each wondering which of us has made the worse decision on this cold Sunday morning. And then, the long downward stretch that signals my way home claws its way from the grasp of the fog and I quicken my pace, as if acting on instinct.

A lone gull lands upon a lampost above my head, like some kind of vulture, but it’s too late. I’m gritting my teeth, summoning last reserves of strength and fighting fatigue; this scavenger will have to wait. I open up my stride as best I can and drive for my finishing line.

Finally, I’m home and fumbling for a key with which to silently open the door in order not to wake my sleeping loved ones. Inside, I move to the kitchen, gulp down water, gorge on fruit and then stretch, thankful to be back, my body aching, but my mind cleansed.

Just a brief explanation of a few things in the poem. The line about stumbling across our bedroom ‘like a broken robot’ is me trying to communicate just how tired I feel when I wake up. There are days when my legs just don’t seem to work and the stiffness means my steps are ragged to say the least. It fascinates me that within about twenty minutes, I’ll be running at pace up a hill! Later on in the stanza I mention that ‘my body protests’ at stretches. I know I should warm up, but I seriously don’t want anyone to get the idea that I’m some kind of ‘proper’ runner!

In the fourth stanza, I mention the voice in my head. that might not be wholly truthful. Often I’m actually talking to myself while out running. While there are times when I thoroughly enjoy it and feel totally strong, there are more when I can’t work out why I’m working out, so to speak. And so, often I’ll have a little chat to myself and tell myself that things aren’t that bad or try to kid myself on that it’s all in my head and that my legs are, in fact, strong.

In the fifth stanza I mention a long downward stretch. I’d like to point out that while it’s long, it is barely downward at all and that some of it means going back uphill. I almost changed the poem at the point as I couldn’t stand people thinking that a huge chunk of my run is down a big, steep hill. It’s not. But it’s downhill enough for me to pick up the pace!

The gull in the sixth stanza genuinely frightened me. At first, out of the corner of my eye, I genuinely believed that it was a bird of prey and that it might just take a swoop at me. Seeing it was a gull was a relief, but I still looked at its massive beak and felt a bit of trepidation!

Let me know what you think in the comments. I hope you enjoyed the poem as much as I frequently tell myself I like my early morning runs!

Poetry Blog: Transition.

This is a poem I wrote a while ago now, late August in fact. It was around that time that we were preparing my son – our youngest child – for the step up to high school. In the U.K. schools had been closed for months, but he had gone back to primary school for the final half term, as the government opened them up again to Year 6 students in a bid to make transition to high school that little bit easier. It didn’t work, but that’s besides the point.

I happened to be looking through some photographs and found one that my wife had taken of our son at the start of primary school, as he headed to his first day of Reception class. She’d stood behind him and having let him walk a few steps further down the path and – no doubt crying – had taken a photo of him as he walked off. Every visible piece of uniform is just too big and his backpack takes up his entire back. He looks tiny and vulnerable and not ready for school at all. Suffice to say that while the image always makes me smile, it still makes me feel sad too.

At the time, we’d briefly debated not sending him to school. We genuinely didn’t feel he was ready for it at all and so we’d even gone as far as tentatively researching moving to Scandinavia where children don’t start school until later. I think (my wife especially) we just didn’t really want to let go. In the end, we relented and sent him. But every time I see that picture I can’t help but feel we made the wrong decision!

As I looked at the photograph last summer it brought the memories flooding back, but it also made me think about how quickly both my children seem to have grown up. Within a few weeks of that moment they would both be high school students and essentially a large chunk of their childhoods were over. And specifically where my son was concerned, my precious little boy was no longer the tiny child in the photograph. With time on my hands, I wrote the poem you’ll find below.

Boy

That picture will stay with me as the summers fade into autumn. You, walking ahead of your mum, in a uniform that you’d grow into eventually and an over sized backpack straining at your shoulders. Your jumper a red light telling us to stop and let you go into a bright new adventure.

We’d thought to avoid this moment by moving somewhere where the monster didn’t want you for another couple of years, but stayed, defeated by normality and a system that we did not like; school became an enemy that we felt we couldn’t fight.

Your mother returned to her car and cried that day, her body inert as the tears tumbled silently down her face, mourning the loss of her sunshine. I spent the day thinking of the three of you – my big, brave boy, his sister there, determined as ever to look after you and your mother; robbed, cheated, bereft. How could I protect you all?

For years from this moment you’d tell us, ‘Did you know?’ tales at the table, your new found knowledge taken, processed, committed to memory, worn like a brand new suit and then shared generously like your cuddles. Parents’ Evenings revealed what we already knew; everybody loved you, fell under your spell, like insects stuck in a web.

Years later, and a day after my heart broke down, I sat weakly watching you perform in your school play, expecting to cry uncontrollably, but instead mesmerised by your voice, your courage, your talent, and as our eyes locked I wondered if my wounded heart might now burst with pride.

Now, you prepare yourself to face new questions, leaving your cocoon to become a magnificent butterfly one day. Your mother has already shed the expected quiet tears, sought solace by burying her head into my chest, while I held her tightly without possession of the balm of words that might soothe.

Before we know it there will be another photograph and it will hurt to look at that too, You, in a new uniform that still won’t fit, walking headlong into the next five years of your future, stoic despite the nerves, wiser and still eager for more ‘did you knows’.

I will fret daily until I know you’re safe, drift off thinking of you and your new experiences and race home nightly to steal a kiss or lie beside you, clutching your shoulder while you let me in on your brave new world.

I have watched, awestruck as you’ve grown, felt my heart ache as you blushed at your achievements, daydreamed about the impact you might have on the world. Now, I urge you, with every ounce of strength I have, to conquer new worlds, open yourself to those new experiences and grasp at all of the future offers that may come your way.

My son didn’t seem ready for high school, unlike my daughter who three years previously had been desperate to move on. I worried about them both though, fretted through minute after minute of my working day, desperate to just walk back through my front door and see them, ask them how it had all been.

Both have had interesting ‘rides’ through high school thus far, as probably any kid does. They’re doing well though and both survived those first days! As did their parents! My son isn’t quite so full of wonder as he had been at primary school and is perhaps finding the transition quite tough. We suspected as much, given that he missed nearly all of the last 6 months of primary school and Year 6 and didn’t get any real transition between the two schools due to Covid-19. So all the worry that is conveyed in the poem wasn’t misplaced.

It’s a very personal poem and although I talked about him heading to high school quite a bit with my wife, my son and some friends, this was my main way of opening up about it all and probably where any actual emotion came out. I think my wife showed enough devastation for both of us at the time, so it felt important that I stayed strong. I can’t remember too much about it all now, but I imagine, writing late at night that I must have shed a tear or two. It’s such an emotive photograph!

I hope that if and when other parents read it they’ll perhaps recognise their own feelings and experiences in there too. It’s a longer poem, but I’d like to think that’s alright, given the subject matter. I won’t explain any intricacies of the language in there as some of it is personal to both my wife and son and their relationship and it’s probably not my place to share so fully. On a similar note, I’ve not used the photo that I tried to build the poem around, as again I don’t think it’s one that needs to be shared with the world (or the few people who’ll read this!). So the child in the image accompanying the poem isn’t mine! He just looked small enough and vulnerable enough to represent the subject matter!

Most of all, I hope you enjoy the poem. I hope it doesn’t bring back too many traumatic memories in any parents who read! When a child moves up to ‘big school’ it really is quite the event and I felt it was just too much to deal with unless I got it down on paper. Feel free to let me know what you thought in the comments.