Some of you will already know that, when I’m not writing the type of nonsense that regularly populates these pages, I’m a teacher. I teach English in a high school. So far, so straightforward, right? Well, no. This is the bit where things get a little complicated.
Unless you’ve been time travelling or hiding in a cave for the last year or so, you’ll be aware of Coronavirus or COVID-19. You’ll also be aware that it’s caused quite a lot of disruption to our everyday lives. (Someone get the Understatement of The Year klaxon, quick!). So it’ll come as no surprise to non-teaching readers to learn that life in schools has changed massively.
I wrote about some of the changes in my previous blog about our second lockdown so I won’t bore you with it here and now. However, one thing I didn’t mention is that because of the introduction of Covid-safe year group bubbles in school, our kids stay in the same area for each day and us teachers have to go to them. Oh, the joy of not having a classroom of my own again! Lugging everything you need for a whole day to the other side of school – one of the rooms I have to move to is literally as far away as I could go while still in a school building – and then invariably realising you’ve forgotten something 5 minutes into a lesson, dropping books along the way, forgetting to go via the one way system and finding that nothing IT-wise works when you get there. Yep, it’s been a tonne of fun!
Anyway, two of my lessons are now in Science labs, while another is in a Tech room, as in the kind of room where people make stuff out of wood, metal or plastic using dangerous tools and great big machines. It was here I got the idea for a poem. I mean, this wasn’t really the ideal place to be teaching Priestley or Dickens! Then again, I do love a challenge!
‘English in the Tech Room’
Beneath the desk I’m immediately struck by the presence of a pair of rig boots, loitering. Handy, I think, if I’m carrying the complete works of Shakespeare; such a weighty tome could break these toes currently entombed in just a pair of brogues. Handy too if this pandemic takes a bizarre twist and we move to zero gravity.
My students are perched uncomfortably on stools surrounding wooden work benches adorned by vices, And thus, the reading of any text, from Dickens through Owen to Heaney will inevitably be accompanied by an incongruous metallic jangle as child spins handle, or whatever they call that bit.
Further distraction will come in the form of various examples of heavy machinery. A lathe, several nasty looking drills, an enormous cutting tool… Dickens would spin in his grave as we learn of Scrooge’s redemption surrounded by the collected works of Black and Decker and every kind of saw that man could care to mention.
Warning signs will catch the eye, while shavings of wood and a range of glue assault our nostrils, making concentration a bit of an afterthought. But then a friendly baked rock cake, delivered on a tray from the adjacent cookery room serves to change the teacher’s tune and lighten up this lesson’s mood.
When all said and done, these alien surroundings may not actually matter if we just allow the words to do their work. These benches are our stalls when sharply written literature calls and in these extraordinary times this slight adjustment we must make shouldn’t be a bind. As every English teacher keeps in mind, the words win every time.
So there we are. A poem about sacrifice or just a poem borne out of an old bloke having a bit of a whinge because he’s been told to move from his precious classroom? I’ll leave you to come up with an answer. And whatever the answer might be, I hope you enjoyed reading as much as I’ve enjoyed putting myself to the test against whatever the virus throws at me, workwise. Feel free to leave a comment and if you liked it a lot, having a little click at some of the posts below!
As the UK enters its second period of lockdown due to a disturbing rise in numbers of cases of Covid-19, I’ve found that there’s a hell of a lot to think about. And rather than throw myself into a world of sleepless nights, I thought I’d write about the current situation.
I spent the first lockdown isolating because of a couple of underlying health conditions which marked me out as vulnerable. This wasn’t something I was particularly comfortable with, but I had to swallow my pride and live with it. I’ve always thought of myself as fit, healthy and strong so the label ‘vulnerable’ doesn’t sit well with me. They’ll be labelling me as ‘not altogether that butch after all’ next! Anyway, in the end I was away from work – as a teacher – for 6 months.
This time around lockdown seems distinctly different and it makes me feel more than a little scared. The one major difference, for me personally, is that I will be spending this period of lockdown at work. This alone is responsible for a great deal of lockdown stress! Schools aren’t closing and whatever our views on that, it makes me anxious about coming in to work, where before Covid I looked forward to almost every day and almost very minute spent in the building.
Since September though, I’ve felt safe and largely looked after at work. My employer – being a school – had done their homework, so to speak. A risk assessment was prepared for myself and any other vulnerable members of staff who would be returning to work, so I was familiar with the way things would be before I had even entered the building. And I’d had a couple of ‘how are you’ type catch up calls and Teams meetings too.
We’re actively guarding against the virus. We wear masks, we wipe surfaces down before and after use, we have hand sanitiser readily available, we are socially distant where possible, we keep the kids in year group bubbles and a common sense approach has been employed across the board. I’ve felt safe. And you’d think that’d be the case across the board with schools, but I’ve heard tales of places where such protocols are simply not followed.
Things are different now though. It feels far more like the situation we encountered in March with rising positive cases, rising death rates and a general sense of confusion that is frankly quite frightening once again. And let’s face it, we shouldn’t still be confused about something that’s been around for such a long time. It’s not the fault of my place of work, but now, every day it’s a case of gritting my teeth and getting on with it in the face of quite a bit of trepidation. It’s practically the only place where I mix with people and although in theory we’re safe, it’s beginning to feel like keeping schools open might not be such a great idea.
Away from work though, it feels like a general sense of boredom and, dare I say it, a sense of entitlement is beginning to rule people’s thinking. You could feel it towards the end of the first lockdown. People had had enough of the same four walls and unfortunately it started to manifest itself in a lot of stupid behaviour.
Despite the one way systems in shops, the obvious need to wear a mask and the constant knowledge of what social distancing was, people decided that there was no need for any of it anymore. In the town where we live, as bars began to open again people began to congregate in ridiculous numbers both inside and outside of the premises. The message seemed to be ‘sod the virus, I haven’t been tanked up in a public place in far too long’. And while I’m no prude, it all just seems incredibly selfish. Is an afternoon drinking really worth it? The ignorance of people that can recognise what two metres looks like for only a certain amount of time is quite something. And they’re attitude to the one metre+ rule is just staggering. Rather than stand a decent distance away from someone or maybe just refrain from going out for ten pints, it just seems to have become easier to blame semantics and say that you can’t imagine what one metre+ looks like because it’s not an actual measurement.
As we settle into Lockdown 2 I fear that the attitude will continue. I wonder if people will reject the lockdown for the simple fact that it has an end date. I mean, what’s the point for four weeks, right? If you listen carefully you could probably hear someone saying it right now. I can imagine people doing four weeks very much on their own terms; like only locking down properly until the boredom sets in.
Then there’s the approach of the festive season – which isn’t actually that close at all. I feel certain that there will be a raft of people who decide that their pre-Christmas socialising is far too important to give up, even though we should be out of lockdown in time for it to commence at the right time anyway. Any excuse for a barbecue in the garden with your friends though, especially when your precious human rights have been infringed for so long! And anyway, you’re outside so it’s all OK!
It’s the thinking of simpletons and it worries me that I could be even more vulnerable to the virus because of this type of selfishness.
The second spike of the virus means that things that are dear to us all will continue to be out of reach too. Gigs, football, theatre to name but a few; they’re all out of reach. Then there’s loved ones. I haven’t seen my parents (or my sister for that matter) since December of last year. I don’t feel that I can visit as they’re both extremely vulnerable and with three of us in my immediate family mixing with lots of people in schools every week, going to see them would be utter stupidity. It hurts not seeing them and it hurts them too. But my parents are sensible enough to say that we shouldn’t visit, even just to stand in the garden and I’ll be respecting their wishes. But at the back of my mind, as things continue to get worse, I do genuinely wonder if I’ll ever see them again. They live over 100 miles away, so even going round to stand in the garden is a bit of a trek. It’s a thought too horrible to dwell on, but it’s the kind of thing that makes me even more angry at those who are determined to just carry on as normal and either deny that this thing exists or make excuses about the number of deaths.
Recent reports of a new strain of the virus make things worse and yet there are still people – and there in fairly large numbers – who happily deny its existence. There’s not a lot I can say about that that’s probably not already been said or that would be original, but it’s a frightening thought. During the first lockdown I overheard a conversation between two neighbours in their gardens blaming Bill Gates – apparently as it was his fault he “needed stabbing” – and was just astonished. These people are real! At one point they even blamed Brexit and even though I heard the explanation I couldn’t really work out what they meant. I imagine the idea of a second lockdown is being swiftly rejected by them and in fact a couple of days into it they were in their garden, mixing with another member of the family not in their bubble, letting off fireworks!
The long and short of this story is that Coronavirus isn’t going away. We’re not controlling it, we’re not coping with it and in fact, some people seem to be totally ignoring it. At the start of it all I laughed out loud at people panic buying toilet rolls, before being left without a smile when I was sent home from work as I was too vulnerable to be there and was subsequently away for 6 months. Now, as we get back to lockdown, there’s nothing about this virus that can make me smile.
It’s been roughly a couple of hours or so since the news broke that Joe Biden was being declared the new president of the United States of America. I’d started a poem so I sat down to finish it as quickly as possible. I mean the subject matter means it’s too hard to resist, right? And there would be little point in giving it too much thought and then putting something up on the blog in a couple of days. No, better to strike while the iron’s hot.
Now I am in no way a political expert. In fact, I get so frustrated with the general dishonesty and lack of thought from politicians that it just wears me down giving it much thought. But Donald Trump is just one of those characters that piques the interest. Just when you think he’s conquered Mount Ridiculous, he finds a new way to climb it. It’s safe to say that he doesn’t seem like a particularly nice human being. In fact, it’s safe to say quite a lot of things, but I’m not here to offend. Bit of a dick though, isn’t he?
Anyway, I wrote a poem about him and I hope you like it. Or hate it…nothing like polarising opinion!
An Ode to Donald
Donald. With your explanation defying hair like genetically modified Shredded Wheat and that red MAGA hat ruining any attempt to look neat, your last four years like the proverbial bull in a china shop, it’s probably only fitting that they might have to restrain you to get you to stop.
After all, what’s a supreme court challenge because you didn’t get your way, when you’ve spent your whole term in office denying that porn star roll in the hay. With over four hundred White House staff lost there’s been quite some drama, and that’s before we even think about the memoirs of your First Lady, Melania.
Many’s the weekend you’ve spent playing around at Mar-a-Lago, when perhaps the best idea might have been giving running the country a go. Instead, there was that crazy business about building a wall, Four years? I know a bloke – cheap, reliable – could do it in no time at all.
What with frequent cries of fake news and disinfectant cures for Covid-19, grabbing pussy, Twitter outbursts, what a four years it’s been In the end, it was not so much ‘Houston we have a problem’, more, ‘Washington, wave goodbye to that doylem’.
Hope you like the poem. Hopefully people don’t take it too seriously because really, when it comes to politics my views don’t matter. It’s just a bit of fun, albeit at the expense of a complete mentalist. I’m sure he’s got enough money in the bank to enjoy retirement and not get too worried about a daft poem. That said, feel free to let me know what you think…and that includes you too Donnie.
Ever since I was a little boy, I’ve loved watching birds. It started when, as a kid, I helped a friend with his birdwatching badge for Cubs and was hooked. We spent a large chunk of an entire summer wandering our local area, spotting birds and recording them in some kind of journal. I didn’t get a birdspotting badge because I wasn’t in the Cubs – too cool for school from an early age, me – but it didn’t matter. I was hooked. As a family we’ve been RSPB members for years and are fairly regular visitors to our two local sanctuaries.
I first noticed ‘our’ red kite a couple of summers ago. I think I first spotted it over our football pitch while taking training with the junior football team that I coach. I didn’t immediately know what it was, but was confident enough to hazard a guess, especially when I saw the red hue of some of its feathers in the light. I looked it up in our RSPB big book of all the birds (not it’s actual name) when I got home and confirmed that it was a red kite.
I then started to see what I assume is the same bird – I don’t imagine we have a gang of them locally – going past our house and it seemed to be around the area on a regular basis. It may go missing every once in a while, but we still see it fairly regularly. It feels like we’re forever chasing it round, in pursuit of the perfect picture, but sadly it seems quite camera shy and always seems to avoid our lenses! On the occasion I’ve written about it flew right above me while I was in my back garden. I ended up writing two poems about it, which I’ll explain later. For now though, here they are.
Red Kite
On a cloudy weekend morning, pegging washing on the line, something catches my eye. A dark shadow drifts and looms above me, dominating the sky. I sense drama, threat, majesty. Looking skyward I am at once transfixed by this giant, dwarfing nearby gulls. The threat remains, intensifies in fact for a moment, as the red kite drops a little in the sky, perhaps spotting me and weighing up his chances. Uninterested though, he drifts on, effortlessly, scanning the land beneath for a moment of opportunity.
I continue to gaze, rapt, in awe as the light above picks out every speck of colour on this enormous wingspan. Looking as if painstakingly painted by the careful brush strokes of an artist they propel him over houses in seconds. Scanning the landscape for something there is no sense of urgency or desperation; only a calm grace that means that although my attention has been grabbed and kept, probably no one else has noticed. No call, no hovering, no swoops or aerobatics – the sky is yours and with one magnificent movement you are propelled forward and out of my sight. The memory, however, will take a little longer to leave.
Red Kite
A cold, wet Saturday morning’s predictability is interrupted joyfully by a shadow overhead. Spotted from the corner of my eye and then focused on fully with an upturned look, the red kite drifts majestically overhead, the king of this sky.
Given the sight, my smile is easy and wonder assured, and yet, it is momentarily replaced by a frozen, fearful gaze. We lock eyes and the hunter briefly drops towards the ground, perhaps spotting some hidden prey, but for an uneasy moment leaving me wondering if I am the dish of the day.
A gentle swat of the giant wingspan and it has passed over my head and onwards. The bird bored by the human; the human still rapt. For a second or two sunlight bursts through clouds and the kite is lit up from above, its vivid rust coloured tail and white feathers in deep contrast to the coal coloured tips of its wings.
All too soon it is gone, leaving behind a sense of loss that will battle with the brief flutter of excitement for the rest of the day.
I ended up writing two poems about the exact same thing. It was only seconds, but it made a real impression on me. Our red kite was possibly the closest I’ve ever witnessed and I got ridiculously excited. How I didn’t drop our clean washing, I’ll never know!
The first poem was written straight from my laptop – a method I don’t usually use. I’d usually scribble ideas down in my notepad first, but this time felt compelled to just write and the laptop was the first thing that came to hand. As a result it was a poem that I came back to and re-drafted a couple of times; again a process that I don’t often bother with. I’m usually happy to scribble out the odd word and leave the poem where it ends. This time though, I made a few visits to the laptop over a period of days to try and get the poem I wanted.
The second poem came as a result of not being sure about the first. So for that one I just scribbled it down in a notepad. I must have felt happier with this one as looking at it now, there are only 5 words crossed out in the entire thing.
Having read both poems back, I’m now puzzled by which I like best or even whether I’m particularly happy with either one! So while I hoped to create something that I was happy with, I’m not sure I succeeded! Anyway, I hope at the very least, I managed to get my excitement and sense of awe across. As ever, I didn’t have a camera or my phone on me so I couldn’t get a picture to remember the moment, so I hope my words do it some justice; especially as there are two attempts at conveying it! I’d be interested to hear what people think.
I’m not particularly sure how it all started, but at some point, somewhere, someone made the decision that we should start referring to storms by name. Human name. It wasn’t really a new thing; we’d been doing it with hurricanes for years, but this was just going to be for high winds and heavy rain. Whichever way I looked at it, it all seemed a bit unnecessary. I mean, if the weather presenter told me that we had to stay indoors because Storm Graham was on the way, I wouldn’t worry at all, which I’m guessing isn’t really the point.
Apparently there is some reasoning behind the naming of storms. The Met Office claim that the naming of storms will aid communication about the storms. Apparently, if it has a name we’ll be better prepared when it comes to keeping property safe! And if you don’t believe me, you can go to the Met Office website and have a read for yourself. Now, I can’t speak for everyone, but if a weather warning was issued and it said that a terrible storm with very high winds was going to hit my area, I’d be fully aware of its potential to cause damage.
Name or no name, the storm was going to do some damage. It wasn’t any more accesible because it had been in some way humanised. I wouldn’t be able to stand in my garden and plead with Gareth, Clive, Grace or even Serenity to not blow my fence down. The naming seemed like a nonsense. Surely, if you’re going to name the very dangerous storm then at least give it a name that did it some justice. Storm Mad Bastard, Storm Angry Nutjob, Storm Violent Fencekiller – surely they’re far more effective in getting the point across? I’d definitely be more wary of Storm I’m Gonna Blow Your House Down, than Storm Terry. Anyway, I wrote my thoughts down in the form of a poem.
This trend for naming storms is fooling no one…
Despite the efforts to make you seem more warm, friendly and cartoonishly cuddly, this trend for naming storms is fooling no one. You’re still a storm after all. You still bring a garrulous reign of terror, like you’ll never, ever shut up. Alphapebtising you and christening you with Disney monikers like Elsa, Mary and Hamish does not lessen your power to disrupt my day. Sleepy, Dopey and Bashful wouldn’t even help as far as that’s concerned.
Bernard still has the potential to severely damage my fence, bringing with him the middle class nightmare of finding a tradesman. Margaret is also no friend to my shrubbery, deflowering as she does the camellia, the hyacinths and God forbid, the showpiece rhododendron. And Theodore, you can be sure, will up-end potted plants, seedling trays and even a half-full water butt, blowing them right across the patio or maybe even as far as the neighbour’s drive, bringing the need for fawning apologies and a false face of shame.
This no doubt, focus group, think tank driven naming ceremony will not lessen your power to keep us indoors for days and, I’ll have you know, something else has already taken care of that so in continuing your path of destruction, with or without a name, frankly you’re taking the piss. It will not help me sleep through a wind that sounds like waves crashing on a shore I hitherto knew nothing of and during the cleaning up process afterwards, it will not allow me to take solace in the fact that it was all caused by a Samantha, a Florence or even an Alice.
I don’t think a great deal of explanation is necessary for this poem. It’s a bit of fun, really. I think the explanation given for the naming of storms is a bit of a nonsense and I hope the poem makes that quite clear while retaining a bit of humour. After all, there are worse things in life that we should be worrying about.
So, as always, I hope you like the poem. I’m sure there’ll be another one along soon. Let me know what you thought in the comments and thanks, as ever, for reading.
Paul Ferris was a young man who had it all. The looks, the intelligence, the talent and the style. Okay, maybe not the style, given that this was the early 1980s where style was confined to the drawer marked ‘Things that the 80s forgot’. None of us had style in the 80s. Put the phrase ’80s style’ into Google Images if you don’t believe me. The results are like those in a ‘Who can mix the worst colours in one outfit’ competition.
But back to Paul Ferris. His autobiography tells the tale of a lad who had it all, only to lose it cruelly on more than one occasion. And while this sounds like quite the heart-breaking read, it actually makes for a brilliantly original book and one that I’d wholly recommend people pick up.
Ferris should have been someone who scaled the same footballing heights as his one time team mate, Paul Gascoigne, a player often described as the most naturally gifted footballer that these islands have ever produced. Such was his talent – and his country of birth, being Northern Ireland – that comparisons were also quickly drawn with the legend that is George Best. He was gifted, dedicated and eager to learn, and so when he was scouted by and eventually signed for Newcastle United, his future looked bright.
Paul’s story was never going to be simple though. Brought up amongst sectarian violence in the city of Lisburn south of Belfast, there seems to have always been an edge to his childhood. Add to that his worries about his sick mother and you’ve already got an engaging story. But, surrounded by love and encouragement, Paul flourished. His natural talent with a ball at his feet soon became clear and suddenly he was faced with a choice – stay at home and pursue his education or risk everything, including the love of his life, and move to England to follow a dream and escape the troubles of his home town.
‘The Boy on The Shed’ is simply brilliant. Undoubtedly a book for football fans, but at the same time the kind of tale that anyone will enjoy. This is so much more than just a sporting autobiography. Ferris seems to have the world at his feet and yet every time he looks like making a big breakthrough – and not only in football – a cruel twist of fate appears to slap him round the chops. Undaunted, he keeps on getting up and fighting on, even when the setbacks seem like they’ll leave him with little or no fight left.
Ultimately, ‘The Boy on The Shed’ is the classic underdog story. And it won’t spoil your enjoyment to hear that there’s a happy ending. But along the way Ferris’s life seems to be blighted by pitfalls, tragedy and simple bad luck. Just when you think he’s going to catch a break another setback appears and he’s back, unfortunately, to whatever you call the bit that comes before square one! In a tale and a career that takes in professional sport, medicine, law and even writing novels, all you want for Ferris as a reader, is to be happy. And at times it seems like he never will be. Delightfully though, he makes it in the end.
‘The Boy on The Shed’ is a joy to read. Brilliantly written with intelligence and good humour and crammed full of the kinds of stories you’d expect from a life spent in and around professional football, it’s a must read. Whether you’re a sports fan or not I’d urge you to pick up this book. It’s the kind of story that has you rooting for the protagonist – and in this case it’s a real life that we’re reading about. Paul Ferris may not be a name that you’ve ever heard of, but he’ll become a person that you end up caring about. A likeable underdog who gets there in the end.
I loved ‘The Boy on The Shed’ so I’m giving it nothing short of…
⭐⭐⭐⭐⭐
Rating: 5 out of 5.
Feel free to leave a comment – I’d love to hear what you made of the book if you get around to picking it up.
The mix tape. In a sense, a history lesson needs to be given before this piece can really get going. So here goes…
For the younger reader – I’m talking late teens to adults in their twenties and onwards, not toddlers – the mix tape was a thing of beauty. It was literally a blank cassette tape, often known as a C45 or a C-60, and then you’d record some of your favourite songs onto said tape, for a variety of reasons which we can go into later. A cassette, by the way, was actual tape that recorded the sound, on two spools encased a a plastic rectangle. Like this one below; glamorous, huh?
Us older people would make mix tapes by playing music from another source – maybe the radio, another cassette or vinyl – and then recording the tracks straight on to the tape. In many ways we were pioneers, early superstar DJs, as long as you ignored the quality. And the superstar bit.
This blog was prompted by a BBC 6Music programme that I listened to one weekday morning, a while ago now. It was Lauren Laverne’s mid morning show and she was talking to a guest, the writer Jane Sanderson. Jane had written a book called ‘The Mix Tape’ and so the interview concentrated partly on the book (which sounds great, by the way) and partly on the idea of mix tapes, while also getting Jane to contribute a mix of songs that she herself would put on a mix tape. I scribbled down some of the ones I liked, but as I was working during a free period, it made it difficult to keep up! I’ll include the list at the end of the blog for you though, dear reader, and perhaps you might want to check them out.
Of course, the interview got me thinking about the days of mix tapes and my own experiences. For me, mix tapes had a dual purpose, as I suspect they did for many others. At first I’d share them with friends as we discovered new music. Usually this would be either purchased from our local record shop – Music Box in Blaydon – or borrowed from the library. Both places were like a kind of Mecca to me in my formative years and I’d happily spend hours in either, perusing what there was on offer, searching for new sounds that I’d read about or maybe even taking a gamble that would invariably not pay off, by rooting round the bargain bin! And while this makes me sound like a very lonely individual, I wasn’t. I had genuine friends. No, honestly, I did. Real, tangible human ones, not just voices in my head or shadowy figures at the bottom of our garden!
Anyway, once sourced I’d tape this new music, adding it to what I laughingly referred to as a ‘mix’, on yet another blank cassette, even though there was no mixing; just the end of the track and the clunk of the stop or pause button, followed by a similar clunk and a hiss as I started recording the next track.
Part of the idea with mix tapes was to offer a taste of new music to the recipient. Us mix tapers somewhat automatically set ourselves up as experts and svengalis who would open the minds of our devotees with the startling choices we made; the musical gems we unearthed. Often the idea would be to try and outdo each other, in a kind of ‘I’ll take your lo-fi garage band mix and raise you my underground East coast hip hop.’ And we would outdo each other with music that we loved, not simply something that we hated, but knew that the other person wouldn’t have ever heard of. In many ways we were a bit sad, but not that sad! Sometimes though it was a simple case of hearing something that you loved and knowing that the person on the receiving end of the mix tape would love it too.
Mix tapes would also be a good way of communicating with the latest object of our affections too. Music was something that I knew quite a bit about and something that I soaked up as much as I could. So it was a subject that I could talk about with at least a bit of authority and hopefully not sound too dull. And a good job too, because my other area of expertise, football, was not of much interest to the girls of 1980s Newcastle. But as quite a shy boy, who inhabited a world of self-doubt, the mix tape was an in with girls. Don’t get me wrong, I wasn’t some kind of predator; often it was just a good way for a girl to get a free cassette and that was where our interaction ended, but on some occasions it actually worked! On one occasion the girl I fancied payed back my gift of a mix tape full of songs I thought she might be interested in, with a copy of Pretty Woman on VHS, leaving me puzzled as where she saw our potential relationship going. It turned out that she simply loved the film and seeing my enthusiasm for the music, thought she’d reply with something she also loved. And despite our obvious unsuitability, a brief romance ensued. It didn’t end very well, but it definitely started! And all because of a mix tape!
My approach to mix tapes became more sophisticated as I got older. As well as developing my musical tastes, I also developed the look of my mix tapes and started to design front covers for them rather than just presenting them to the recipient with an inlay card containing names of tracks and artists. When I say ‘designed’ it would often amount to cutting pictures from a magazine that might fit with the general feel of the mix tape and manipulating them into the cassette case as neatly as I could. Sometimes though, when my confidence was at its medium level best, I might do a sketch and use that as the front cover. So in some ways I was trying to create some kind of art, I suppose. And until now I’d thought that I hadn’t been remotely pretentious in my teenage years!
However, I suppose what my ‘artsy’ period shows is exactly how seriously we all took mix tapes. Not only did people spend hours carefully selecting not just the tracks to go on the tape, but also what order they would go in to have the best impact on the recipient. Then on top of those hours we’d also add more, collecting images that might look good in a cassette case and even more going through said images in search of exactly the right one for whatever mix tape we were creating at the time. But it wasn’t in any way a laborious process. I’m sure I speak for many of us who ‘curated’ such tapes when I say that it was massively enjoyable. Mix tapes were that important that at times they took over our lives and would often consume entire days. And all in the hope of some kind of connection being made.
As I listened to the interview that prompted this blog, once I’d got past being nostalgic, I began to think about who I might send a mix tape nowadays and what tracks I’d want to include. The whole process would be undoubtedly made easier now because of the internet and things like Alexa. Our playlists are there permanently and waiting to be explored and even a Luddite like me can navigate them.
My obvious recipient would be my wife, but the snag here is that we share a lot of the same musical taste and, having been together for such a long time, there’s very little that we don’t know about each other’s playlists and tastes. Although only very recently she surpised me by being wholly unaware of the song Super Freak by Rick James, preferring to believe that it was MC Hammer who was playing on the radio. For the same reason I’d have to rule out some of my friends. I think I’d still exchange mix tapes with those that I’d class as proper music fans though – David, Andy, Pricey, Emma, Kath, to name but a few. And I’m sure I could put something of meaning together for my wife as well.
After a bit of thinking though, I think the first person I’d want to send a mix tape would be my sister. We’re two very different characters and not the closest of siblings. But I’d like her to know how much of an influence she had on some of my tastes while we both still lived at home together and I’d like to try and bring a bit of sunshine to her life with a few decent tunes. I don’t have an entire mix tape planned out but some of the tracks I’d definitely include would be ‘White Lines’ by Grandmaster Flash, which she introduced me to as a teenager and I’d hope would remind her of better times. Now if you know the song, that might seem like a bad one for a teenager in the 1980s to be aware of, but I can assure you I had no idea what they were rapping about; I just loved the song! Then there’d be ‘Loaded’ by Primal Scream, because I’d bet she’s never heard it and that’s a crying shame (plus I think it might be the kind of track she could do with listening to at the end of every day) and ‘One Big Family’ by Embrace because I think sometimes we need a reminder that we’re actually brother and sister. After that, I could add all sorts of interesting tracks for her to give a listen to. Because of course, that’s the beauty of a mix tape.
In her interview, Jane Sanderson was asked to give 6music a mix tape of her own. Of course, it wasn’t via cassette, but it was a great mix of songs. Unfortunately for me, I was listening during a free period at work and so, had to tune out when it came to teaching again. However, if you’re interested – and you should be as there are some ace tracks – the tracks that I made a note of were, Northern Sky by Nick Drake, I Close My Eyes by Dusty Springfield, Thinking About You by Frank Ocean and I Didn’t See It Coming by Belle and Sebastian. Maybe they’ll be the first four on my first foray back into the world of the mix tape?
Listening to Lauren Laverne and Jane Sanderson got me thinking about the possibility of a cassette revival. After all, we’ve witnessed it with vinyl where after 12 continuous years of rising sales, over 4 million LPs were sold in the UK in 2019. Similar digging for figures revealed that there was a 103% increase in sales of music cassettes in the first 6 months of 2020 with 65,000 cassettes purchased in the first 6 months of the year. Clearly, people are buying cassettes again. Could we see the return of the mix tape? I hope so. How long before I can start sending them out again? Surely it’s only a matter of time! Ladies and gentlemen, we could be witnessing the rebirth of a veritable cultural phenomenon!
As ever, let me know in the comments what you thought of the post. I’d be really interested to know about other people’s experiences of mix tapes too. I’m sure there are some brilliant stories out there!
This is a new poem about a fairly modern topic – the online meeting. Now, I understand that they’ve been around for a while, but my point is more that they’ve never before been so widely used. As Coronavirus struck and lockdown ensued across the globe, businesses and other organisations were forced to find new ways of keeping in touch with employees and clients who were now being forced to work from home. And thus, words like Teams, Zoom and House Party, among others, all took on a new meaning.
I’m generally left deflated by even the mere mention of a meeting and, probably as a result, I’m inclined to simply drift off. I’ve fallen asleep in more than one. But if people insist in reading entire PowerPoint presentations back to me, word for word, then I reserve the right to get bored.
Lockdown and working from home felt, as much as anything else, like time off from meetings for me. And then someone mentioned Teams and Zoom. And so, as I sat in my first ever Teams meeting I made sure that I was paying attention – they could all see me, after all, but kept a notebook out of site after realising that there could be a poem in this! So here you go – the secondary result of my first couple of Teams meetings.
Teams Meeting
A little blue circle floats and spins, taunting me with my lateness. Usually, said circle is laughed off, commented on with a half-baked witticism, something like, ‘It’s thinking about it’ accompanied by a knowing smile, a raised eyebrow. But not today. Today’s blue circle is a slow death, evoking only many muttered expletives.
After what feels like hours, but is probably only minutes faces emerge, framed in their own rectangle and assembled in front of you like a gameshow panel in a strangely decorated studio. There are welcoming smiles and the possibility of others yet. Who knows amongst an array of webcam settings? A nose here, a chin there, the very top of someone’s head. Who knew that a chair could be sat on in so many ways?
It’s orderly at first. One voice with instructions, an agenda and, worst of all, jobs to delegate. Maybe that explains the top of someone’s head? A cunning attempt at work avoidance that clearly I should have thought of first. I consider sliding down into my chair until I’m sat beneath my table.
Virtual hands are pointed out, to wave at the thought of a question. Mine will therefore be very much more virtual than others. Some things never change. Despite virtual hands, still a tangle of voices ensues as we relax into the familiarity of it all; the agenda temporarily capsizing in these rapids while the meeting floats aimlessly downstream. Familiar voices bring warmth, a smile and I consider something juvenile to get noticed, extend the laughter and take the meeting out of reach and off towards the sea. But order resumes, our professional heads fixed firmly in place as the bullet points are ticked off and a department is run at a distance safe enough for all. Strategies discussed, ideas shared, virtual hands waved and questions asked. After such a long time, even meetings can be enjoyable.
But all too soon it’s over and we settle back in our home ports, perhaps, like me, wondering what the next weeks and months hold and longing, ever so slightly, for just a few moments more.
I thought I’d conquered Teams after dipping my toe – my real one, not virtual – for the first time and being able to use it with ease. The first stanza tells you that I was wrong. Teams took forever to connect for my second meeting and I actually ‘arrived’ late, which in truth is much more like the real me anyway. In this instance though, it was nothing short of torture.
Once I was in attendance I took a look at my colleagues – the ladies I refer to as my big sisters – who I hadn’t seen in months. And while it was great to see faces, it was a veritable puzzle working out why they couldn’t use a webcam! It meant that for a good portion of the meeting I was just puzzled and distracted by the fact that someone was sat with just the top of their head in view, while others were so close to their webcam that I could just see a nose or an eye!
Despite the presence of virtual hands for people to raise when they had a question, our meetings would start in an orderly fashion, before descending ever so slightly into a gaggle of voices talking over each other. As usual in meetings, I kept quiet and observed from the safest distance I’ve ever managed in a meeting. But I realised, after a short while, that just being in the meeting was lovely. These were not just colleagues, but friends with familiar faces and voices that just relaxed me and made me feel quite normal for the first time in the months of lockdown. Even when we got back to the agenda I was enjoying the meeting.
In fact, I’d enjoyed it so much that when it ended and faces began to disappear from the screen, I felt more than a little bit low. And then it was back to isolating and trying to find enough things to do in order to keep myself from going mad.
Feel free to leave a comment about the poem and if you really enjoyed it you might like to click on the links below to have a look at some of my other stuff.
There are lots of things in life that we shouldn’t love anywhere near as much as we do. From trashy reality TV to too many takeaways, we know that they’re doing us no good, but still we dive in on an all too regular basis. Me? I’m no different, although I steer fairly clear of reality TV and takeaways. You can keep your Love Island and your MacDonald’s your curries and your egg fried rice. Give me a good dose of dystopia any time! Thrill me with a society that’s falling apart and appall me with the crimes of those in power and I’m as happy as a toddler in a sandpit. And thus, I couldn’t wait to read ‘Vox’, the gripping dystopian thriller by Christina Dalcher.
Vox tells the tale of Jean McClellan, once a well respected scientist, but now reduced to the role of frustrated housewife and mother; and a largely silent one at that. This is because Jean lives in Dalcher’s fictional version of a modern day America where, thanks to the madness of their fudamentalist Christian leadership, womens’ words are rationed. In this extreme patriachal society, every member of the female population is fitted with a band around their wrist that ensures terrible pain via an electric shock should they speak more then their allocated 100 words in twenty four hours.
Female liberties have been taken away with millions losing jobs and all of their money, while young girls have their right to an education denied. Rather than being taught to read and write, they are now restricted learning whatever skills the patriachy feels will be of use in later life.
And while it seems that many women, including the first lady, have accepted their fate, Jean refuses to do so. She is determined to break free and is encouraged by some of the signs she spots in everyday life. So when a twist of fate sees her thrust back into the scientific limelight, she sees her chance. But is it too good to be true?
Jean embarks on her government mission with an ulterior motive, discovering old friends, allies, unexpected opportunities and even the hint of an underground rebellion along the way. But is everything exactly what it seems? Or will Jean’s dreams of freedom be crushed by an all too powerful and all too watchful state?
‘Vox’ presents the reader with a terrifying yet thought provoking view of the future and what at first glance seems extreme, has genuine parallels in today’s world. You don’t have to look too far to find that people are having their rights infringed all over the planet – dig a little deeper and it’s possible to uncover genuine horror stories that one would have imagined belonged firmly in a work of fiction. And this is the beauty of Vox in a way. What seems absurd is actually, frighteningly quite possible somewhere. So while it seems ridiculous that somewhere in the world – particularly in the developed world – womens’ words may be subject to a cap, you just never know.
On reading ‘Vox’ some might say that it’s a world we’ve seen or read of before. Certainly if you were gripped by the dangerous and rebellious adventures of June in ‘The Handmaid’s Tale’, then ‘Vox’ occupies a similar space. There are also shades of ‘1984’ and ‘The Hunger Games’ here too. But the twists and turns of ‘Vox’ will have you on the edge of whatever it is that you perch yourself on to read. On several occasions it seems that Jean will fail and on others you’ll be suspicious of those that she is around, even her husband. Her eldest son also provides an interesting twist when it appears that he has become seduced by the message of the country’s ruling forces. This constant feeling of being on edge makes ‘Vox’ a real page turner.
Dalcher’s characters are well written too. Jean is someone who we sympathise with and we want to succeed, not only because we believe in her cause, but essentially because we like her, while allies such as Lin and the brooding Lorenzo and Jean’s arch enemy Morgan Lebron hold our interest too. Morgan in particular is the arch villain; brilliantly written so that the reader can’t fail to hate everything about him. We’ve all met a Morgan – smug, arrogant, the kind who takes credit where it really isn’t due and who’s never slow to let people know how important he is; even when he’s not that important. So for the whole time that you’re rooting for Jean, you’ll finding yourself wishing terrible injury and worse upon Morgan.
I absolutely loved ‘Vox’ and was utterly gripped by it from beginning to end. The novel presents us with a horrifying dystopia, but one that seems all too possible in the modern world. And for that reason we’re along for the ride with Jean as she battles to outwit the horrifying restrictions that have been placed upon not only her, but every woman in America. It’s a cause we believe in and care about and Jean is the perfect protagonist, the perfect hero – with a whiff of anti-hero thrown in, just or good measure – the perfect woman for the job.
Without hesitation, I’d give ‘Vox’
⭐⭐⭐⭐⭐
Rating: 5 out of 5.
An unlike our female protagonist, I’d shout it from he rooftops as many times as I liked!
This is another poem that was prompted by a sleepless night. I’ve had a lot of those lately. It’ll start off with just being uncomfortable, or too hot and then before I know it, my mind is racing and I know that if I don’t head downstairs and start writing things down, I’ll lose these ideas forever.
This poem came about because I started to think about the amount of things I buy and then don’t really use. Or rather, I use them – I’m not a complete idiot – but either nowhere near as much as I should or nowhere near early enough. I’m prone to getting them and then putting them away and all but forgetting they exist. Perhaps the poem can explain…
A list of items that I bought but could not bring myself to use properly…
Books have been a favourite for years, added to the weekly shopor gifted from an Amazon wishlist where they’d sat, forgotten about, until Christmas or birthdays. From there it would be off to a box in the loft and forgotten again.And while I’ll endeavour to read them deep into retirement, I’m already praying for someone to leave boxes of books to in my will.
Trainers are a similar addiction. My two feet will forever have a choice of pairs that run well into double figures, while not, in fact, running at all. And my two feet will never actually be enough. The thrill is in the chase. The irony is that the chase will not be performed in these under-used trainers.
Although in possession of what I feel is an unusually small head, I am somewhat obsessed with hats. Inevitably though, they will adorn my bonce but once, before embarrassment overcomes me and the charity shops feels the benefit.
A new jacket, on the other hand, will rarely be left to wait for a rainy day, unlike several fresh umbrellas now resident underneath the passenger seat of my car.Meanwhile, new shoes must stay boxed for as long as I can stand to wear the four other, older pairs in what is a perverse stance taken to kid myself that I’m getting my money’s worth out of said shoes.
Inhalers are collected and stacked, incongruous, in a drink’s cabinet, while I continue to use those that are long out of date, desperate to squeeze more life out of both of us, while stockpiling fresh cures as if saving for a particularly dusty, hazy day.Similarly, the artwork with the quirky quotes will forever fail to inspire or advertise how fun family life can be while they’re in a bag behind an armchair.
Chinos – always a good idea at the time – will remain stashed in a wardrobe, living up to their slim fit billing by squeezing expertly between suits. Occasionally, when I fancy a change, they will lay on the bed to be stared at, before being thrust back into storage as change is given a rest and I slide back into battered jeans.
And then there are the tiny ‘pint’ glasses, stolen from a bar in the good ‘ol U.S of A. Too small to be used, but too cool to be left behind in their rightful place. Or in fact bought.
And finally, let’s spare a thought, for the entire bathroom suite that was once stored upstairs in our house for months, because the trauma of finding a plumber meant it was easier to clamber over a bath taking residence in a back bedroom, than invite a tradesman to our house. For a while we were possibly the only house in Yorkshire with an unplumbed toilet sat on the landing. And maybe that’s a price worth paying for an claim as unique as that.
I think they call it ‘the thrill of the chase’. That feeling of excitement at getting something that then has a strange habit of wearing off once you’ve actually got it. People blame it for everything from the failure of a marriage or relationship to the reason that we all know that a pet is not just for Christmas. And I think partly, that’s what this poem’s about. Not pets, but the thrill of chasing shiny things and then almost instantly losing at least some of your interest. It’s generally attributable to me in our house, but I think we’re all perfectly capable of it too.
In my loft I have boxes of unread books. I have boxes of some of the ones I’ve read as well, that are too precious to pass on to charity or another willing reader, but I box them up and most likely won’t look at them again for years, if at all. The unread ones started as a small pile when I started working after university. And then disposable income happened. It’s a terrible habit and I must have four big boxes full of ‘to-read’ books. There are so many books in there that sometimes, when it’s time to choose my next one, I’ll discover something that I’d forgotten about entirely. And while this is a lovely surprise (although it can also be quite perplexing) it should also tell me that I need to cut down on the number of books I buy.
Some of the things that inspired the poem are things that I really have no use for. Hats are the best example. I don’t suit them as my head is more akin to a peanut and therefore hats swamp me. I mean, when was the last time you saw a peanut wearing a hat outside of a cartoon?
The point with this poem is that it could have been a much bigger poem. An epic poem about the least epic things you can think of. Believe it or not, I have got better at this as I’ve grown older. I used to buy a lot more. I never got full use out of any of it.
I’m quite proud of this poem. It’s a bit more of a rambling effort than usual – who knew that was possible – but I like it. And that isn’t always the case. But this poem brings back happy memories. For instance those stolen glasses mentioned in stanza 7 were purloined on a holiday to Boston and then packed away carefully inside towels and clothes in order to preserve them on the long flight home. We’ve never used them since getting them home, but I can still picture us sitting in the bar with mile wide grins on our faces because they looked so good and we were going to take them with us! Maybe I’ll get them out at home and just gaze at them, like an art installation…
I hope you enjoyed the poem. As always, I’d be interested to know people’s opinions, so feel free to leave a comment.
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